{"title":"leftfield","description":"","products":[{"product_id":"dj-1985-we-trippin-ep-emotional-especial","title":"dj 1985-we trippin' ep","description":"\u003cp\u003eEspecial welcomes new artist DJ 1985 to the label. As so often, the idea of pushing new music has been the raison d'etre of the past decade. An EP of a love for Acid, from the breaks anthem of the title We Trippin’ to exploring the ethereal and even mind-melting Ambient House and Balearic of how the Roland TB-303 has become a fundamental element in the history of electronic music. Soviet born; Belgrade exile Stanislav Grishchuk is DJ 1985. A man of many monikers, came to House later, originally progressing from Breaks, Hardcore and onto Drum and Bass as DJ Saint Man, a Mixmaster in the truest sense, switching it up to include Ghetto House and Booty, DJing led to producing, finally seeing DJ 1985 emerged to encompass Acid, Bleep, Breakbeat, Chicago and beyond. A DJ supreme from the old school – check his Boiler Room mix for live vinyl dexterity – his productions nod to Aphex Twin and the Rephlex \/ UK lineage, the Techno. Electro of masters Underground Resistance and Drexciya and on to Italo, Italian House and early 90s New Jersey and New York’s golden period and of course the masters Kraftwerk, all influence the sounds of this debut EP. Starting as 808 and 909 Electro and Techno jams, all the tracks are recorded live, MPC, synth and drum machines, no computers involved. We Trippin’ is built around the “Think” break, with trippy 303 line, some 808, synths and off we go “we trippin”. Dolphin and Sirens was inspired by the Boka Bay dolphins of Montenegro, near where the recording was made. A flotation bath of warm dreamy acid beats and aquatic found sound, fast, shifting breaks, the Adriatic Sea of Croatia and beyond beckoning. Catland’s title is a nod to Stanislav’s love of all the feline, but the breaks’n’303 cut is an endlessly uplifting spark, celestial, a cosmic evolutionary odyssey. DJ 1985 completes his debut EP with the aptly titled The Last One. Spherular, mysterious, this rise of spatial breaks is a reawakening of symbolic music that is touched by both East and West. Stanislav’s music intersects, trans-national, almost spiritual and psychedelic. Live jamming, more hearted, the snap electro percussion, dream-laden pads are twinned with an ethereal otherness via the endless possibilities of the TB-303.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1879345976\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"emotional recue","offers":[{"title":"Default Title","offer_id":44944482009282,"sku":"ees048","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/dj1985wetrippin_029d651d-3047-4094-8762-a9ebf260bdfe.png?v=1739833486"},{"product_id":"100-records-budde-ostis-experimental-playground-from-the-trash-archives-ep-acido","title":"100 records-budde \u0026 osti's experimental playground from the trash archives ep","description":"\u003cp\u003eWith the new acido 038, Budde \u0026amp; Osti from 100 Records present almost a small sample library, which they have called their \"experimental playground\" - in order to offer listeners an additional listening perspective that allows an insight into their work. A jazz and house-heavy six-track with the experimental highlights of the Trash Archives - a collection of 99 pieces that can be freely downloaded from Bandcamp. All pieces were recorded live in the studio using largely analogue equipment and masterfully mastered here by Mike Grinser.\u003c\/p\u003e","brand":"acido","offers":[{"title":"Default Title","offer_id":44945855447234,"sku":"acido038","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/100recordsexperimental.jpg?v=1739880286"},{"product_id":"civilistjavel-foljd-lp-felt","title":"civilistjävel!-följd lp","description":"\u003cp\u003eFELT welcomes back Civilistjävel! with Följd, the follow up to last year’s Brödföda. 7 tracks further chronicling his melancholic murk, ever drifting towards that faint dub glow. Features a collaboration with Thomas Bush [Jolly Discs]. Uncanny are the nocturnal sounds that ebb patiently from Tomas Bodén and his machines. His music continues to uncover equal parts beauty and dread from isolation, a purposeful slow pace guiding those gentle noises through the arctic air surrounding its author. No matter the weather, these expressions as Civilistjävel! continue to find a loving home on Fergus Jones’s FELT imprint. On Följd, he naturally develops on the inclinations found on Brödföda. XIII’s unsettling warble melts into the dusky spurts of XIV. Further on, the dew-glowed ambience of XV precedes XVI’s dub trudge which casts a hypnotic grey shadow. XVII’s wind-swept acid redux then quietly transitions into the stunning introspective drone of XVIII before closer XIX comes into view, its positive dawn enacted through Thomas Bush’s croons lilting amongst organs, guitars and tempered sound design. Civilistjävel! continues to emote a great deal with very little, a reliable abstract practitioner that posits Följd as an arresting audio tale within his celebrated oeuvre.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2000324855\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"felt","offers":[{"title":"Default Title","offer_id":44945996480706,"sku":"felt009","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/civilistjavelfoljid.jpg?v=1739888635"},{"product_id":"civilistjavel-brodfoda-2lp-felt","title":"civilistjävel!-brödföda 2lp","description":"\u003cp\u003eCivilistjävel! returns with Brödföda, the successor to 2022’s Järnnätter and his fourth release for FELT. In his most substantial offering yet for the label, he navigates brooding sentimentality amidst the glacial terrain of his musical abstractions.\u003c\/p\u003e","brand":"felt","offers":[{"title":"Default Title","offer_id":44946000183490,"sku":"felt008","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/civilistjavelbrodfo.jpg?v=1739888882"},{"product_id":"daisuke-hinata-tarzanland-lp-wrwtfww","title":"daisuke hinata-tarzanland lp","description":"\u003cp\u003eWRWTFWW Records presents its third collaboration with Japanese electronic\/ambient\/synth-pop crew Interior, this time with the release of band member Daisuke Hinata's forgotten solo treasure from 1989: Tarzanland. The feel-good\/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip. Available on vinyl for the first time ever, Tarzanland is late '80s California sun-soaked kankyō ongaku, minimalistic proto-chillwave, the synth melody of a pleasant Sunday breeze as the ocean waves breathe in and breathe out. Steve Winwood and Steely Dan come to mind as the ambient sound design of an imaginary John Hughes movie unfolds as all pieces of the puzzle come together for a blissful journey of simple pleasures. Daisuke Hinata is a Grammy-nominated artist, composer, producer, and member of Interior. This is WRWTFWW's third release centered around the work of the band, following the reissue of their Haruomi Hosono-produced self-titled debut (1982) and the first release ever of Sculpture of Time (Apocalypse), their rarely heard before commissioned piece for German environmental artist NILS-UDO.\u003c\/p\u003e","brand":"wrwtfww","offers":[{"title":"Default Title","offer_id":44946010341570,"sku":"wrwtfww073","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/daisukehinatatarzanland.jpg?v=1739889447"},{"product_id":"fan-club-orchestra-vl_stay-lp-12th-isle","title":"fan club orchestra-vl_stay lp","description":"\u003cp\u003eFan Club Orchestra (FCO) has its roots in collaborative performances and recordings that began taking place in the late nineties in Brussels. These continued into the second decade of the new millennium around Belgium and neighbouring countries. At a time when large contemporary arts spaces were less professionalised, less obedient to funding and attendance numbers, and Still tuned to their founding DIY impulses, FCO were able to nurture their nebulous cast of players with their unconventional ensemble of instruments to their own ends. The apparent informality of their performances, mixed with the sheer spectacle of their unfolding, transplanted the experimentalism of New York's downtown scene of the 1960s into the cracked consumer electronics period of new media art at the turn of the century. A newly regrouped FCO now present their album 'VL_Stay' on 12th Isle. This iteration of FCO sees Baudoux joined by Ann Appermans on guitar and bass, and Zéphyr Zijlstra on trumpet. Appermans is an original FCO member as well as a frequent collaborator with Baudoux. Zijlstra is a jazz student at the Royal Conservatoire of Brussels. Recorded in just two weeks, the trio invoke the pedigree with which FCO first toyed, while sketching a continuity with new references.\u003c\/p\u003e","brand":"12th isle","offers":[{"title":"Default Title","offer_id":44946154815682,"sku":"","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/fancluborchestravl.jpg?v=1739895536"},{"product_id":"maria-wildeis-deep-meaning-lp-magazine","title":"maria wildeis-deep meaning lp","description":"\u003cp\u003eDeep Meaning is the debut album by Maria Wildeis, a Cologne-based artist and expert in real-time sound design for installations. The tracks on Deep Meaning oscillate between club and experimental music and are characterized by a lightness unique to debut works. Particularly notable is the inventive use of synthetic, organic, and sampled vocal elements. Voices constantly morph into melodies and back; words become notes, chords turn into text. Maria's real-time approach to composing is evident throughout, making this album an unscripted adventure. Before you uncover the deep meaning, it has already swept you away. Maria Wildeis researches spatial aspects in art and music, working with digital sound modeling and procedural sound synthesis. She also runs Gemeinde Köln, an art space in Cologne, Germany, which she founded in 2018. Tracks 2 and 4 co-written by Daniel Ansorge. Additional production by Daniel Ansorge and Jens-Uwe Beyer. Mixed and mastered by Daniel Ansorge at Magazine Studio Cologne.\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":44946882068674,"sku":"magazine24","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/mariawildeisdeepmeaning.jpg?v=1739912902"},{"product_id":"mel-keane-airs-lp-wherethetimegoes","title":"mel keane-airs lp","description":"\u003cp\u003eMel Keane (frog of earth) transcends from his former state of earthly frog into a new and empty world that he must endeavour to furnish with his Airs.\u003c\/p\u003e","brand":"wherethetimegoes","offers":[{"title":"Default Title","offer_id":44946891702466,"sku":"wttg013","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/melkeaneairs.jpg?v=1739913265"},{"product_id":"optometry-lemuria-lp-palette","title":"optometry-lemuria lp","description":"\u003cp\u003efull length ltd lp from john tejada \u0026amp; march adstrum's optometry project.  11 tracks of hazy electronic songcraft that veer along the axis of like-minded acts such as cranes, plaid, early herbert \u0026amp; doves.\u003c\/p\u003e","brand":"palette","offers":[{"title":"Default Title","offer_id":44947086606530,"sku":"pal094","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/optometrylemuria.jpg?v=1739916856"},{"product_id":"puli-swirling-lp-open-space","title":"puli-swirling lp","description":"\u003cp\u003eOpen Space is proud to present our first ever full-length LP by LA’s newest 3-man band, Puli. Some words from our dear friend Matt McDermott below: In recent years, a cadre of musicians from the east side of Los Angeles have reestablished the city of angels as the first city of Balearica. Alex Ho’s “Move Through It” followed in the lumbering footsteps of Project Sandro’s “Blazer.” Now, there’s a new landmark for the floating west coast sound. Swirling, the first album from LA supergroup Puli. If you’ve got your ear to the ground you know the names involved here. Drummer and producer Damon Palermo’s pedigree stretches back a good 15 years or so, starting off with dub punks Mi Ami. Phil Cho is one of the busiest DJs, musicians and advocates for the deep stuff in LA, throwing legendary hillside parties under the Third Place banner. John Jones, the preternaturally talented guitarist and electronic tinkerer, records as AV Moves, is a key member of the Suzanne Kraft and Baba Stiltz live configurations and plays in The Trilogy Tapes-affiliated act Geo Rip. But this listing of personnel and credentials puts too fine a point on it. Puli are three close friends who go to parties, DJ and get tacos together, repairing to their Chinatown studio a few times a week and coming out with remarkably textured, idiosyncratic downtempo jams. Building off the solid foundation of their 7-inch of heavyweight dubs for Melbourne’s Constant Delay, Swirling is an exploration of new horizons in chill out. “Ramona” acts a statement of purpose—with halftime\/double-time dub-tinged rhythms, hazy yet bright synth motifs and atmospheric guitar from Jones, not terribly far from the expansive approach of Japanese dub aesthetes Pecker. “Cloudy,” meanwhile, is a sort of deconstructed and bittersweet Balearic pop featuring Cho’s ethereal vocals. “Bongo Springs” is steppers’ house not far from close LA peer Benedek or the Mood Hut crew up north. But what truly sets this record apart is the space and layers in the production—while it’s nominally an electronic record, Puli is a band that has slowly crafted these songs in the rehearsal space. “Havana Jam” cruises along a sliding roundwound bass guitar take with dubby chords and textural guitars. Palermo’s hand drums and live percussion enmesh perfectly with icy pads on “Leech Seed Dub.” Cho is back on the mic for the gorgeous closer, “C.S.B.”, underpinned by breakbeat and trunk-rattling sub bass. Puli doesn’t sound like anyone else, and is ultimately reflective of the city itself. Listening to Swirling feels like navigating a warren of side streets in the eternal sunshine. Take the drive and dive.\u003c\/p\u003e","brand":"open space","offers":[{"title":"Default Title","offer_id":44949285306562,"sku":"os004","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/puliswirling.jpg?v=1739979488"},{"product_id":"schlammpeitziger-meine-unterkunft-ist-die-unvernunft-remixed-lp-kompakt","title":"schlammpeitziger-meine unterkunft ist die unvernunft remixed lp","description":"\u003cp\u003eA loving embrace for Schlammpeitziger with remixes by Ada, Andreas Dorau \u0026amp; Zwanie Jonson, Bionaut, HJirok, Thomas Mahmoud, Stefan Mohr, and Wolfgang Voigt! At the end of 2024, Kompakt celebrated the release of Jo \"Schlammpeitziger\" Zimmermann's brand new album Meine Unterkunft ist die Unvernunft on his 60th birthday at Kompakt Recordstore. Now the label presents the accompanying remixes. An illustrious group of long-time companions has come together to pay tribute to the master of electronic eccentricity with remixes.\u003c\/p\u003e","brand":"kompakt","offers":[{"title":"Default Title","offer_id":44949379907778,"sku":"kom493","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/schlammpeitzigermeine.jpg?v=1739980786"},{"product_id":"shinichiro-yokota-pitstop-box-6lp-wrwtfww","title":"shinichiro yokota-pitstop box 6lp","description":"\u003cp\u003eWRWTFWW Records presents the Pitstop Box, compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota's two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12\" housed in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets. Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota's album discography finally gets a long overdue vinyl release. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota's music is loved for its simplicity, its hypnotic quality, and, most importantly, its soul -- homegrown '90s soulful melodic club music -- pure love! The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota's personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits, a cover of \"Simoon\" by Haruomi Hosono's Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada. Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992, he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It's this side of Yokota's life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased '90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.\u003c\/p\u003e","brand":"wrwtfww","offers":[{"title":"Default Title","offer_id":44949427159234,"sku":"wrwtfww098","price":139.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/shinichiroyokotapitstop.jpg?v=1739982470"},{"product_id":"sonic-boom-sinner-dc-maps-lp-mental-groove","title":"sonic boom \u0026 sinner dc-maps lp","description":"\u003cp\u003eA groundbreaking collaboration between British experimental artist Pete Kember, aka Sonic Boom (Spacemen 3) and Swiss electronic duo SINNER DC, MAPS blends music, visuals, and interactive gaming (Mac\/PC) into a multidimensional experience. Originally conceived for a one-off live performances in 2013 in Geneva, MAPS draws inspiration from Borges' meditations on the limits of representation, crafting a surreal auditory and visual journey.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1953964227\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"mental groove","offers":[{"title":"Default Title","offer_id":44949432860866,"sku":"mg143","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/sonicboommaps.jpg?v=1739982748"},{"product_id":"terra-utopia-2-lp-emotional-response","title":"terra utopia-2 lp","description":"\u003cp\u003eTerra Utopia returns to Emotional Response with a second long-from EP \/ mini-LP, 10 more tracks that span the ethereal sounds of ambient, atmospheric beats and liquid drum and bass. Originally intended as a one-off project from French producer Benoit B, Terra Utopia 1 was recorded in 2 weeks while sojourned in an Athens’ Spring. A personal dedication to a specific sound he loved. Since the original release, a debut LP under his own name followed, before Benoit embarked on his new club orientated project Blu:sh, releasing a series of acclaimed EPs for the likes of esteemed Kalahari Oyster Club and Roza Terenzi’s Step Ball Chain label. However, the incredibly positive feedback of the first Terra Utopia recordings led to reappraisal and return to the name and here again, a second set of 10 tracks (8 vinyl and 2 digital bonus). Once more recorded as short pieces – cut loud for DJ play – they interconnect to feelings of intangible expanses, that embracing summer, the warmth, a latent stillness of the azure sea and sky. This invitation, a narrative forever calling, of long days, calm nights, the infinite astral plain in minds eye. The ambience has progressed, beats crackle and snap, tracks visualise an individuality, names are anointed, with the collaboration with singer dvdv on Shadows Of Memories, a floating, mesmeric highpoint, a dreaming siren. 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The Orb, Alex Paterson and Thomas Fehlmann, have become known for their genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. COW \/ Chill Out, World! is a masterful ambient album that branches out in many directions, but unmistakably sounds like The Orb. In contrast to their much-acclaimed previous full-length Moonbuilding 2703 AD, which took years to prepare and fine-tune, COW \/ Chill Out, World! was produced over the course of only five sessions in six months, directly following the like-minded Alpine EP. Paterson on recording the album: \"It got so spontaneous that a track like '9 Elms Over River Eno (Channel 9)' consisted only of material collected at North Carolina's Moogfest in May - second-hand records from local stores, field recordings, live samples from gigs that we liked, and of course an excursion to the Eno River, which actually exists. This geographic intimacy and the spontaneity are among the top reasons why we love this album so much.\" Fehlmann sees the duo's relentless gigging schedule as a formative influence on the new album: \"the countless performances we've played in the last years have brought us closer as a musical unit. The spice of our concerts is improvisation - a fertile process that we've brought to the studio, where we operate with very simple rules of engagement and go wherever the flow takes us.\" It's an approach that one might expect from traditional acoustic instrumentation, not necessarily an electronic set-up. Once more, The Orb's trademark playfulness is on full display on COW \/ Chill Out, World! and it doesn't limit itself to the multi-layered sampling and psychedelic sound composites. It's not so much an obscure trope coming full circle as a perfect example for The Orb's multi-timbre approach to sound and meaning - a compelling, immersive journey to diverse places and impressions. Each track title is a conceptual work in its own right, playing with multiple references, some of which remain highly personal and mysterious. But the greatest feat of The Orb's latest outing might just be how all this semantic doodling never gets in the way of the actual listening, at all times directly relating the artists's sonic vitality and cheerful nosiness. 180gm vinyl.\u003c\/p\u003e","brand":"kompakt","offers":[{"title":"Default Title","offer_id":44949668626626,"sku":"kom354","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/orbcow2025.jpg?v=1739992163"},{"product_id":"the-orb-moonbuilding-2703-ad-2lp-kompakt","title":"the orb-moonbuilding 2703 ad 2lp","description":"\u003cp\u003e10 year anniversary reissue. gatefold jacket edition. 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Opener \"God's Mirrorball\" hits the ground floating, employing a handful of cozy statics to great effect before finally discharging into an intricate mosaic of atmospheric, melodic sketches and gripping rhythms. With a hypnotic runtime of more than 14 minutes, it immediately establishes a blueprint for the other album tracks to follow, perfectly illustrating the vast extent of the artists' vision and their impressive skills in luring in listeners -- welcome to The Orb's sonic labyrinth, where nothing is what it seems and the unexpected waits just around the corner. Likewise, follow-up track \"Moonscapes 2703 BC\" presents itself as a uniquely versatile affair sitting comfortably between ambient flourishes and beat-driven focus, holding as many twists and turns as a caper movie, but carefully grounding every single one of its cliffhangers in its impeccable flow. With a runtime of approximately nine minutes, \"Lunar Caves\" is the shortest jam of the bunch -- and also the most ethereal, keeping its rhythmic content to a bare, pulse-like minimum and opting for enticing, freewheeling synth textures instead. Album closer and title cut \"Moonbuilding 2703 AD\" introduces a surprisingly jazzy vibe mingling rather well with the wealth of electronic tricks up its sleeve -- even indulging in abrasive bass sweeps and a breathtaking multitude of different rhythm sections constantly switching places. It's a fitting closing act for a full-length as multifaceted as this, as idiosyncratic as possible and as muscular as needed. 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The first half of Okie Dokie showcase The Orb´s love for minimal techno and Schaffel\/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented chill out and ambient house in the first summer of love 1988, an incredible amount of things have occurred. 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Is that the same tunnel that Tunnel Dancers derived their name from? 7 years after that first meeting at the Sydney Opera House, Hugh and Jackson have released an album. Listening to these songs there is an audible patience and understanding between two musicians. They probably could have released something else a long time ago, but chose to wait - instead enjoying bowls of laksa on their lunch breaks and sharing long, quiet conversations at The Babylon Sauna \u0026amp; Spa. When the next warm bowl of noodle soup arrives on your table, how long will you let it sit before you dive in? Soup first or noodle first? If you learn from these songs, perhaps you will know to first observe the whole bowl. Observing in this way, the moment settles and hovers and remains for much longer than a moment.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2003953635\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"mad habitat","offers":[{"title":"Default Title","offer_id":44949697298626,"sku":"madhab09","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/tunneldancersenergyis.jpg?v=1739993817"},{"product_id":"ultramarine-a-users-guide-2lp-wrwtfww","title":"ultramarine-a user's guide 2lp","description":"\u003cp\u003eWRWTFWW Records reissues revered UK electronic duo Ultramarine's best kept secret from their discography, the superb A User's Guide album, available as a limited double LP housed in a beautiful heavyweight sleeve with inside out printing. On the rare occasions that Ultramarine's story is told, the duo's fifth album, 1998's A User's Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since. Unavailable on vinyl since the year it was released, A User's Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the \"sound palette\" that underpinned their work. Out went the partially improvised hybrid electronic\/acoustic sounds and the collaborations with guest musicians they'd become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum and bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house. As this first vinyl reissue conclusively proves, the material showcased on A User's Guide has lost none of its sparkle in the 26 years that have passed since its release. Fully remastered from the original DATs by Jason G at Transition Studios, the 2024 vinyl edition of A User's Guide thrusts Ultramarine's most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net). For fans of electronic, leftfield, postrock, tech-jazz, IDM, minimalism, futurist electronica, dub techno, house, experimental, Autechre, Tortoise, Basic Channel, forgotten gems from superb discographies, and very good music.\u003c\/p\u003e","brand":"wrwtfww","offers":[{"title":"Default Title","offer_id":44949700509890,"sku":"wrwtfww093","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/ultramarineusersguide.jpg?v=1739993925"},{"product_id":"woo-music-to-watch-seeds-grow-by-001-woo-sweet-peas-cs-music-to-watch-seeds-grow-by","title":"woo-music to watch seeds grow by 001: woo (sweet peas) cs","description":"\u003cp\u003eWoo, formed in 1975 by brothers Mark and Clive Ives in London, is known for its experimental blend of folk, jazz, ambient, and electronic music. Their sound, characterised by the delicate integration of acoustic and electronic elements, has earned them recognition in ambient and healing music spheres. Over decades, the duo has produced over 1,500 tracks, evolving a unique style that evokes dream-like atmospheres and a meditative, soothing quality perfect for moments of reflection. Dedicated to intertwining the serene beauty of music with the nurturing process of planting seeds when the first new signs of life emerge in the growing season. A carefully crafted collection of ambient \u0026amp; minimalist soundscapes, occasionally branching into the new age. A soundtrack for quiet moments of sowing, nurturing, \u0026amp; witnessing the slow reward of growth. Each artist will release a recycled cassette and digital format. We plan to release one cassette each month from November through June, aligning our releases with the ideal growing period. 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It's hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever. With this special anniversary release, the label takes stock at this milestone to present a compilation in three parts: Past, Re-Imagined, and Future, to honor the label's tradition of always paying homage to what has come before while setting sights firmly forwards. With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it's been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham. From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of DJ's, musicians and listeners -- at home and abroad. 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Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic and enigmatic, Ambientale is a stranger you've only just met but can't stop thinking about. A familiar face to those who dwell in the deep end of the record pool, Charles is an obsessive digger, always on the track of an otherwise unheard sound. Through two trips to \"Club Meduse\" and star-crossed lovers \"America Dream Reserve\" and \"Black Rain,\" he's also established himself as a mixtape auteur, weaving together the strange and beautiful into evocative compilations that transport listeners to distinct, imaginative realms. While his previous sets resembled Super-8 vignettes, populated by sun-kissed hedonists and drifting outsiders, Ambientale sees Charles leave the human world behind, exploring all the world's wilderness on the scale of an IMAX epic. Bals opens his sonic travelogue with the bamboo flutes and resonant gongs of esteemed Italian maestro Luigi Ceccarelli, joined by the clean lines and Eastern tonalities of the little-known RanōBoru. The journey deepens with a double-feature from Tokyo composer Akira Mitake, sliding from dreamy New Age soundscapes into the lush groove of floral fusion. Digital rhythms and snaking bass add a Latin accent to the bouzouki of Individual Sensitivity's \"Greece Ambientale,\" while the lilting percussion and shimmering synths of Steve Shehan's smooth jazz rarity \"Evening In The Sahara\" segue perfectly into a masterpiece of French Balearic from Private Joke. A smoky saxophone rises like mist, echoing through the rainfall on Adriano Maria Vitali's \"Velvet Blue Circles,\" before Masami Tsuchiya pulls listeners into the depths with the aquatic ambience of 1983's \"Never Mind,\" its electronic palette the perfect vehicle to ensure that Akira Mitake's \"Spectrum\" surprises, rather than startles, with its booming machine drums a superb point of difference. From there, we wander once more into the digital undergrowth, exploring the mystical and magical sounds of the Italian library ensemble Gruppo Sound, along with a rare glimpse of Blue Note new age from Gil Mellé. Police sirens and street noise signal our return to the city, forming the backdrop to the tumbling drums and moody electronic stabs of \"Ship Out\" by Ferris Wheel, an utterly unknown piece rumored to be a promotional track from a Venezuelan garbage company -- the final twist of intrigue to this otherworldly voyage.\u003c\/p\u003e","brand":"bureau b","offers":[{"title":"Default Title","offer_id":44949751529666,"sku":"bb395cd","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/ambientale.jpg?v=1739996183"},{"product_id":"various-celebrate-yourself-the-sonic-cathedral-story-2004-2024-4cd-box-sonic-cathedral","title":"various-celebrate yourself! the sonic cathedral story 2004-2024 4cd box","description":"\u003cp\u003eA limited-edition 4CD box set released to coincide with the cult shoegaze label's 20th anniversary. 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Records and Telephone Explosion which received coverage and reviews from established outlets like Pitchfork and Resident Advisor. - Tony Price is a multi-time Juno and Polaris Prize nominated producer, having worked on a wide variety of records on labels like 4AD, DFA, Slumberland and more. - “Requiem For The Ontario Science Centre” pays homage to the beloved 1960’s Canadian landmark and renowned brutalist architectural marvel, which was abruptly closed in the summer of 2024. - The album features longtime collaborator and Caribou touring band member Colin Fisher on Saxophone - The music is Rich with kaleidoscopic saxophone loops, surrealist sound collages, and retro-futuristic synthesizer mirages and will surely resonate with fans of Boards of Canada, Terry Riley and Don Cherry’s “Brown Rice”\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qQfaSjDzAy0?si=mvHv1Bi_l5A3Sw9J\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"maximum exposure","offers":[{"title":"Default Title","offer_id":44961725382850,"sku":"maxex40","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/tonypricereq.png?v=1740148341"},{"product_id":"muslimgauze-al-zulfiquar-shaheed-2lp","title":"muslimgauze - al-zulfiquar shaheed 2lp","description":"\u003cp\u003ePeople believe that the magic of Muslimgauze works best with looong tracks. Think the same? Then “Al-Zulfiquar Shaheed” is exactly for you! 75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn’s ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres. A strong rhythmic, yet melodic album, that should be in the collection of every Muslimgauze fan. Definitely one of Bryn’s best ever albums! \"Iraqi Opal\" was not on the original CD album track listing but previously released on the Various - Ophir compilation. Deluxe double vinyl version with spot-UV printed heavy gatefold cover.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kmOzkIL2vlY?si=LhFpOEKtrWXff-3p\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"kontakt audio","offers":[{"title":"Default Title","offer_id":44961735803074,"sku":"akt12","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/muslimgauzealzulif.jpg?v=1740148824"},{"product_id":"dovs-psychic-geography-lp","title":"dovs-psychic geography lp","description":"\u003cp\u003eDOVS are the duo of Vienna's Johannes Auvinen, aka Tin Man, and Mexico City's Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities. Where that album's hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair. The album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the duo decided to try making an entire album with no drums. Ambiguity and uncertainty are key watchwords for their music, which moves with eerie, liquid grace. Untethered from 4\/4 kicks, their music drifts and morphs; familiar acid sequences give way to surprising shifts in tone and mood. And with no drums to distract the ear, the seeming simplicity of their silvery synth lines opens up to reveal remarkable depth and dynamism. Barranco and Auvinen recorded the album together in the studio utilizing machines like the Roland TB-303, Juno G, Prophet 5, Elektron Octatrack MKII, Make Noise DPO and René, Mutable Clouds, Roland SH-101, Behringer TD3, and Sherman Filterbank. Listen on good speakers or headphones, and you can tell: Their gear yields a tonal richness that recalls the ambient and cosmic music of decades earlier. You can practically feel the heat from their circuits warming the air. The meaning behind the name DOVS is as ambiguous as the duo's music. But Psychic Geography needs little explanation. DOVS' album is a collection of mental maps of imaginary places. Set your coordinates for the mirage on the horizon and prepare to dissolve.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1898900023\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"balmat","offers":[{"title":"Default Title","offer_id":44961739768002,"sku":"balmat014","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/dovspsychic.jpg?v=1740149194"},{"product_id":"pieter-kock-the-end-ii-2lp","title":"pieter kock-the end ii 2lp","description":"\u003cp\u003eIt was quite unexpected to see the very prolific and talended Pieter Kock featuring on Macadam Mambo - which is usualy used to new-comers - as he has released a lot in the past 2 years on very nice labels like RIO, Meakusma or Moonwalk X. But, the demos that he sent were so good that there was no question about doing something. And with a lot of possibilities, to prepare a double album that is now composed of 15 quality tracks for 1h20 of music... What vibes are in here! It’s heavy, loudy, loopy, mental, smokey, and always surprising. Pieter has is very own universe, and is without doubt one of the most interesting electronic musician at the moment. Should we ask you to give chance to this opus, and tell you you won’t regret it ? 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Ten new chunks of lo-fi instrumental library-hop -- recorded in over two days in Summer 2024, Nocturnes is the first ITT album of 2025, and the first one made solo by Heffernan since Wild Nature in 2019. Known for his genre-defying and boundary-pushing approach to music, Heffernan -- who has spent years experimenting with various styles, instruments and production techniques has crafted a collection of tracks that defy categorization. The new album is a sonic tapestry of atmospheric library music, dusty hip-hop beats, and the organic, unfiltered essence of field recordings, all neatly packaged up into a format that allows each element space to breathe. Nocturnes weaves intricate layers of samples, loops, and live instrumentation, combining elements of hip-hop, dub, jazz, and electronic music, all while maintaining a sense of urban cinematic flair. The album is released by Up In Her Room on limited edition black heavyweight vinyl.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CviwXuws7xA?si=cflDuQs-vakQmMRJ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"up in her room","offers":[{"title":"Default Title","offer_id":44964515119298,"sku":"uihr029","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/ivanthetolerablenocturnes.jpg?v=1740319000"},{"product_id":"kwarp-the-way-i-am-the-way-you-yawn-lp","title":"kwarp-the way i am \u0026 the way you yawn lp","description":"\u003cp\u003eMirae Arts presents The Way I Am and The Way You Yawn, the debut album from Katsunori Sawa under his KWARP alias. This six-track release explores the fleeting nature of youth and the weariness of aging, blending Sawa's experimental roots with fresh, modular synthesizer-driven soundscapes. From the forward-driving hi-hats and alien voices of \"Frog FM\" to the mechanical aggression of \"Ultra,\" the album offers an imaginative auditory journey. Highlights include the playful chaos of \"PlayStation\" and the metallic rhythms of \"Metal Gear.\" About Katsunori Sawa: First emerging on the scene in 2008 as EOC with his debut on the UK-based Ai Records, Sawa has steadily built a reputation for innovation and collaboration within the underground music community. He co-founded the influential 10 Label and has paired his talents with an array of respected artists, including Yuji Kondo (as Steven Porter), Martsman (under the moniker Bokeh), and DJ Nobu (Nobusawa). These alliances have birthed releases on prestigious labels like Kynant Records, SNTS, and Token. Creating his sound in a hidden studio set within a striking Tadao Ando-designed building, Sawa crafts a sonic landscape that fuses rhythmic noise with pulsating bottom-end rave abstractions. His work reached new heights with an album on Opal Tapes, making him the label's first Japanese artist and firmly establishing his place in the global music conversation. 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Mostly captured in performance through a quadraphonic system placed inside a huge disused fuel tank, with a few tracks recorded out in the open throughout the island, Lava Love evokes the tectonic shifts and motions inherent in their title in 13 tracks. Based around Godinho's percussive arsenal, from found objects to instruments from all sorts of cartographies, and André's electronic processing, each of these expositions is a point in a map that is created between the island's concrete and fictional existence, discarding any superficial overdubs and crescendos, to focus on the balming and transporting properties of sound itself. From stripped down vignettes like \"Bajamar I\" and \"II\", \"Chacho\" or \"Tangana I\" to hypnotic tapestries that confuse the real and imagined like \"Haha No!\" or \"La Gomera,\" Banha da Cobra conjure a collective dream of the island. All tracks performed and recorded by Banha da Cobra in a quadraphonic system inside an enormous fuel tank, except \"Bajamar I and II\" (recorded outdoors at cantonera de Bajamar, with Lagoss), \"Taganana I and II\" (recorded outdoors at Playa de Almáciga) and \"El Guachinche de Los Realejos\" (recorded outdoors at Playa de Castro, with Lagoss). Banha da Cobra are Mestre André and Carlos Godinho. Recorded by Jorge Lozano. Mixed by Mestre André. Mastered by Dani Tupper. Cover photography by Nestor Torrens. 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This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable. The two sides of the record are cut with play, improvisation and effects, while leaving room for themes and ideas. If this record’s first chapter was born from a request to remix and pay homage to Jackie Mittoo, its themes tell another story. They have been declined and even reduced to an explosion point. The tracks are also driven by subtle details of musique concrète, giving the record the effect of an intimate musical production – but, above all, one of uncategorisable beauty. In Androo’s case, this is hardly surprising. He is a craftsman who is unassailable in every respect, a poetic dynamiter and, for this reason, one of the most unpredictable musicians in Geneva (and beyond). His appetite for dynamite is perhaps an indication of his conception of music as, first and foremost, an experience. His highly personal and inventive tribute to figures from free jazz and contemporary music proves the point. But perhaps it is also an indication of his attachment to Jean-Luc Godard. You'd have to imagine Androo at his mixing desk without a pre-written script. The idea of editing infuses the record. The two sides are very much in this style and spirit: (un-)shot, meticulous, (ir-)reverent. In this respect, this record is a formidable proposition, and perhaps difficult to understand, but not striving to be understood. Its combination of improvisation and composition is underpinned by a razor-sharp precision and dexterity that's hard to ignore, especially if you're curious about the art of sound mixing and the romantic accidents. It has a dexterity that transforms musical grids into romantic essays and sketches. A romanticism in which Androo takes us on a liberating musical experience that makes us forget the inertia of the ramping formatting of the record industry. In any case, this record is an invitation to (un-)think the category, and will delight any ear curious to wander into territories of intuition where the word hybrid no longer makes sense. Text by Carl Åhnebrink\u003c\/p\u003e","brand":"poly dance theatre","offers":[{"title":"Default Title","offer_id":44967258620098,"sku":"pol009","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/androotribute.jpg?v=1740435089"},{"product_id":"davis-galvin-music-to-watch-seeds-grow-by-002-davis-galvin-prism-delphinum-elatum-cs","title":"davis galvin-music to watch seeds grow by 002: davis galvin (prism (delphinum elatum)) cs","description":"\u003cp\u003eMusic to Watch Seeds Grow By continues its series of plant-inspired soundscapes with new work from Pittsburgh-based sound artist Davis Galvin. This composition focuses on the Delphinium Elatum, capturing the quiet drama of this striking perennial through carefully constructed ambient textures. Where their previous work explored the complex electronic territories of the outer technoid reaches, here Galvin turns their attention to the subtle processes of plant growth. The piece unfolds gradually, much like the Delphinium's own journey from seed to flowering plant. Gentle drones and atmospheric elements mirror the plant's various growth stages, from its initial emergence to its ascent to heights of up to two metres. You heard it here first. The music creates an environment for contemplation, designed specifically for the moments of sowing and tending to these magnificent plants. 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A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for. Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice. Following a landmark renovation of the Fondacoo dei Tedeschi by renowned Dutch architect Rem Koolhaas, Sbagliato proposed the spatial transformation of the historic sixteenth-century building that would blur the lines between fiction and the real. The concept, to create unexpected “voids” within the fixed order of architecture, prompts the observer to question the fleeting and subjective nature of the reality that surrounds us. The building’s main loggia - a series of five archways exposed to the Canal Grande - take on a theme of reproduction and multiplication, giving rise to infinite perspectives in a dizzying mise en abyme. Through the portal-like potentialities of the loggia, the visitor enters the gateway to a fluid realm of distorted time and space. LF58 arose to translate the visual concept of Radials into sound, delivered through a special quadraphonic concert performed at the Fondaco dei Tedeschi in October 2023. Quadraphonics, with its four distinct audio channels, were used in direct correlation with the visual elements of the installation to immerse the audience in a dreamlike, multisensory experience. The opening scene of running waters and the cacophony of the bustling city streets quickly dissolves under the chiming of nearby bells, as hidden liminal spaces become revealed. It’s not long before all remnants of the ordinary are left behind, as the listener is submerged into the shimmering frequencies of parallel dimensions. A spatial soundscape of ever-moving forms and colours, Radials descends into ever-deeper waters. As the facade of what was once known falls away, a transportive journey of mind-body alterations begins.\u003c\/p\u003e","brand":"astral industries","offers":[{"title":"Default Title","offer_id":44967304822978,"sku":"ai38","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/lf58radials.jpg?v=1740439072"},{"product_id":"ear-to-ear-live-recordings-2lp","title":"ear to ear-live recordings 2lp","description":"\u003cp\u003eAI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling. The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. 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Dusk envelopes the vast barren landscape as the protagonist enters the ribat, treasures of woven silks, ornaments, and exotic spices glint under the flickering oil lamps, swirls of perfumed vapor dance mesmerizingly in the darkness. As the music unfolds the events of the passing day quickly melt away, and the unsuspecting traveler is plunged into an otherworldly dimension. Utilizing an extensive collection of old Iranian records as source material, the album is an intoxicating mise-en-scéne of whispering melodies, undulating rhythms, and atmospheric sound details. An active buyer of old Iranian music, Ario began extracting and editing samples from the records acquired during frequent trips to Iran over recent years -- during which the mood and flavor of the project began to crystallize. Once handed over to Rod for further processing and arrangement, the album took its final shape -- an endless tapestry of sights, sounds, and memories that fade mysteriously into the night's reveries. 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Side B sets a more introspective tone, whispering with ghostly artifacts and bubbling synth lines, before building into a driving energy of layered field recordings and mechanistic timbres. The essence of form continues to be contested, until it subsides into momentary calm on side C. A cleansing period of soft drones float into the space and the pace slows, washing away remnants of past. 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Carrying on from where Hassell left off, the album takes inspiration and references from his Fourth World music concept and the ancient Hopi tradition of Native America. Illuminating the subliminal space of the arising Fifth World, Son of Chi pays respects to an inimitable force in contemporary music. Hassell's Dream Theory in Malaya forms a touchstone to Hanyo van Oosterom's musical journey, which soundtracked long, deep and reflective periods living in the cave of the Kallikatsou (Patmos, Greece) back in the early '80s. This period resulted in Hanyo's track as Chi -- \"Hopi\" -- in 1984. Hanyo met Hassell shortly after in 1987 at his \"The Surgeon in the Nightsky\" concert in Rotterdam -- it wasn't until twenty years later that Hanyo invited him for two magic nights of \"Instant Composing Sessions\" with the Numoonlab Orchestra (with a host of other artists) at the LantarenVenster, the very same stage where Hassell had performed in 1987 and also where Chi did their first live performance. Dreamful, mysterious, prophetic, the Fifth World Recordings features the quiet yet elaborate sound of Chi awash with rich instrumentation, field recordings, and old stories by the firelight. Sketches were created with drones, loops, and soundscapes, with which Arthur Flink (also a member of the Numoonlab Orchestra) jammed on trumpet. Channeling Hassell's idiosyncratic style, floating melodies, and lyrical improvisations are parsed into the mix, where Hanyo has processed and manipulated the recordings, also referencing Hassell's exotic scales and unique harmonics. 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The collaborative handling of samples and sound material comes together powerfully to create a piece that is both artistically theatrical in flavor and sumptuously immersive -- a true documentary for the ears and imagination.\u003c\/p\u003e","brand":"astral industries","offers":[{"title":"Default Title","offer_id":44967311245506,"sku":"ai028","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/luciddreams_1.jpg?v=1740440453"},{"product_id":"lf58-live-at-brancaleone-3lp","title":"lf58-live at brancaleone 3lp","description":"\u003cp\u003eFollowing the arrival of their debut album Alterazione, LF58 (F. Scorcucchi and G. Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome's Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music. With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamors. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. 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