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This diary was renowned for years and has finally seen the light of day, with multiple images to support it. Sweeping Promises: A very visual look at the great, shimmering guitar-pop band. Their visual aesthetics so perfectly accompany their sound, and that's discussed in detail for the first time. 12XU: Fred Thomas' engrossing talk with Gerard Cosloy about the third major record label he's run, and why it matters. This is the third in a series of columns on record labels. Razor Braids: Raucous, hilarious, uncompromising -- an introduction to the Brooklyn-based band who you're sure to hear more from soon. Antietam Loves Sleepyhead: Two of our favorite bands from the 1980s on how to keep the love alive. Antietam was formed in Louisville in 1984 out of the ashes of the Babylon Dance Band. They soon moved to NYC And released a series of beloved records for Homestead. Sleepyhead formed in 1988 in the basement of their NYU dorm and released beloved albums for the likes of Slumberland. The Sonics: An in-depth look at the fun, new documentary film on the Pac NW garage pioneers. Departmentstore Santas: Wonderful interview with the folks behind the major 1984 self-released DIY effort, At The Medieval Castle Nineteen 100-Year Lifetimes Since, a record on par with the best efforts by Desperate Bicycles, Homosexuals, and V3. Joy Guidry: Ana Gavrilovska on the beautiful music of the contemporary jazz bassoonist. Plus our regular, excellent columns by Mimi Lipson, Lucy Sante, Andy Zax, and others, including the debut of Desert Island owner Gabe Fowler's \"Customer Profiles\" column...\u003c\/p\u003e","brand":"maggot brain","offers":[{"title":"Default Title","offer_id":44946877317314,"sku":"maggot019","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/maggotbrain19.jpg?v=1739912620"},{"product_id":"wire-march-2025","title":"wire-march 2025","description":"\u003cp\u003eOn the cover: In February New York based artist and sonic therapist Devi Mambouka will release her second album as Masma Dream World. The long awaited follow-up to 2020's Play At Night, Please Come To Me will be released via Nabil Ayers' Valley Of Search label. For The Wire Mambouka discusses ritual, healing and 'music for the shadow world' with Emily Pothast; Sound Art with Stones Sound: artists like Glasgow-based Cypriot Antonia Kattou and the UK's Simon James, aka The Simonsound, as well as critical architectural practices such as Bethlehem-based AAU Anastas, use stone as a focal point for an interrogation of geopolitics. Bobby Jewell reports; Caxtrinho: As Caxtrinho, Brazilian singer and guitarist Paulo Vitor Castro's turbulent, psychedelic strategies against samba and bossa nova made a formidable impression with last year's album Queda Livre. By Derek Walmsley; Louis Laurain: The experimental cornetist has brought his free and extended techniques to ensembles like the The Umlaut Big Band and Lumpeks as well as collaborations with Éliane Radigue, Stephen O'Malley and, most recently, Pierre Bastien with whom he's releasing a new album via Brighton's Rose Hill records. By Clive Bell; Invisible Jukebox: Lydia Lunch From downtown NYC to The Lydian Turn podcast, legend in her own lifetime Lydia Lunch takes on The Wire's blind listening test. Tested by Claire Biddles; Global Ear: Tijuana; Unlimited Editions: Pointless Geometry; Inner Sleeve: Jules Reidy; Plus, one page profiles of Chris Cundy, Able Noise and Polonius.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":44949739634882,"sku":"wire493","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wiremarch2025.jpg?v=1739995762"},{"product_id":"my-teeth-need-attention-4-zine","title":"my teeth need attention #4 zine","description":"\u003cp\u003eThis issue features interviews with Myriam Gendron, Michael Morley (Gate, The Dead C), Christina Carter (Charalambides, Obscuress), and Miranda Soileau-Pratt (The Spatulas), photos by Liam Grant, as well as record and show reviews. 8.5 inches x 5.5 inches, 56 pages, full color photocopy, saddle stitched with a variety of cover paper colors.\u003c\/p\u003e","brand":"carbon","offers":[{"title":"Default Title","offer_id":44999252902082,"sku":"mtna4","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/myteeth4.jpg?v=1741873216"},{"product_id":"wire-april-2025","title":"wire-april 2025","description":"\u003cp\u003eIncludes Wire Tapper 67 CD. Raven Chacon: The Diné\/Navajo composer foregrounds unheard and silenced voices in his radical works for ensembles, electronics and noise. By Esi Eshun; Ingrid Laubrock: The New York based reedist creates settings for koans and poems as part of a unique new compositional practice. By Stewart Smith; Bastard Assignments: The radical new music ensemble get lost in the woods with their satire of the English countryside. By Robert Barry; Infinity Knives: From Tom And Jerry to sociopolitics, rapper Tariq Ravelomanana keeps it unreal. By Lucy Thraves; Cleaners From Venus: Martin Newell's songcraft and wordplay across many DIY albums evidence a uniquely wired mind. By Mike Barnes; Lukas De Clerck: Brussels musician extends ancient pipe instruments into the present moment. By Antonio Poscic; Penelope Trappes: Australian artist voices griefs past and present. By Spenser Tomson; Ciaran Mackle: Sample manipulator twists folk song into cubist forms. By Daryl Worthington; Invisible Jukebox: Jeff Mills: Will Detroit techno's great conceptualist be a wizard IDing The Wire's mystery record selection? Tested by Chal Ravens; Unlimited Editions: Robert Ridley-Shackleton's Cardboard Club cutouts; The Inner Sleeve: Loraine James on Circa Survive's \u003ci\u003eOn Letting Go\u003c\/i\u003e; Global Ear: Osaka's proto-industrialists revitalise the city's experimental music scene. By Jere Kilpinen; Epiphanies: Golem Mecanique rewinds to a treasured VHS tape of Pier Paolo Pasolini's Accattone; Against The Grain: Mosi Reeves takes on underground hiphop's gender imbalance.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":45011480051906,"sku":"wire494","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wireapril2025.jpg?v=1742504830"},{"product_id":"wire-may-2025","title":"wire-may 2025","description":"\u003cp\u003eOn the cover: aya: New album hexed! explores sobriety and neurodiversity through radical tunings and transformed instruments. By Chal Ravens. Inside: Satch Hoyt: The one-time Burnt Sugar member's Un-Muting project opens museum archives of stolen instruments. By Francis Gooding; Ailie Ormston: The Glasgow composer moves away from the conservatoire to conduct the sounds of the city. By Abi Bliss; Joke Lanz: At 60 years old the Swiss improvisor still takes a punk approach to the turntable. By Daniel Spicer; Bios Contrast: Kolkata musician Nilotpal Das cooks up the concept of brahmancore. By Misha Farrant; Laura Cocks: Chamber music is the site of connection for the flautist. By Stewart Smith; MIC: Grime provides the setting for sci-fi storytelling in the hands of the London MC. By Lucy Thraves: John King: The composer playing the blues for Palestine's lost communities. By Kurt Gottschalk; Trân Uy Đúc: The Vietnamese multidisciplinary artist curates the self-scape. By Daryl Worthington; Invisible Jukebox: Alvin Curran: Will the Musica Elettronica Viva member read maritime rites over The Wire's mystery record selection? Tested by Julian Cowley; Global Ear: Experiments and activism in Danish capital Copenhagen. By Josh Feola; Unlimited Editions: Meticulous design and sonics dovetail in New York new music label Greyfade. By Philip Watson; The Inner Sleeve: Seymour Wright on Anne Gillis's Lxgrin; Against The Grain: VAN magazine Editor Hugh Morris can't stand that jazzy sensation; Epiphanies: Surgeon gets all cut up by William S Burroughs and Brion Gysin. Plus 40 pages of reviews including Gryphon Rue: State of nature. By Abi Bliss; Ed Kuepper \u0026amp; Jim White\/Kim Salmon \u0026amp; Masami Kawaguchi: Pacific old masters. By Byron Coley; Strata-East reissues: Black unity. By Daniel Spicer; Music under Stalin: Utopian dreams and nightmares in the USSR. By Andy Hamilton; Borealis: Nordic operations. By Robert Barry; 160 Unity: Footwork on the floor. 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Leaders of the Pack: On the transformation of the Shangri-Las from clean-cut girl group to motorcycle street urchins, by Lisa MacKinney. Gorgeous images by Imam Sucahyo, a self-taught artist born in Tuban, East Java, 1978, with illuminating words by Randall Morris. A great piece about a recent musical obsessions, 'Talking jazz, prog, and Seinfeld with power-pop upstart 2nd Grade,' by Dan Weiss.\u003c\/p\u003e","brand":"maggot brain","offers":[{"title":"Default Title","offer_id":45129817718978,"sku":"maggot020","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/maggotbrain20.jpg?v=1748009349"},{"product_id":"we-jazz-issue-14-spring-2025-cosmos-for-sun-ra","title":"we jazz-issue 14 spring 2025: cosmos for sun ra","description":"\u003cp\u003eWe Jazz Magazine, Issue 14 (spring 2025). Cosmos for Sun Ra. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. 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Last year LA's Stone's Throw records celebrated the fiftieth anniversary of his debut solo release Hosono House with a compilation of covers and re-interpretations by contemporary artists introducing Hosono to a new generation of musical seekers. By James Hadfield. Features: Christer Bothén -- A former player in Don Cherry's Organic Music Society, Christer Bothén's new quintet Cosmic Ear have just released the album TRACES -- an album themed around the proverbial 'traces' of Cherry's legacy -- via Helsinki's We Jazz label. By Clive Bell; Crystabel Efemena Riley -- The improvising percussionist, formerly of glam-noise trio Maria \u0026amp; The Mirrors and currently of X-Ray Hex Tet has just released her debut solo album Live At Ormside via London's Infant Tree. By Abi Bliss; Blackhaine -- In July, the Preston-born rapper and choreographer will present a newly commissioned audio-visual dance performance, And Now I Know What Love Is, for this year's Manchester International Festival. By Hugh Morris; Invisible Jukebox: DJ Scotch Egg -- The producer and musician also known as Shigeru Ishihara enters The Wire's mystery listening booth. Tested by Daniel Neofetou.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":45181668524226,"sku":"wire497","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wirejuly25.jpg?v=1749822682"},{"product_id":"wire-august-2025","title":"wire-august 2025","description":"\u003cp\u003eOn the cover: Bill Orcutt: The late blooming career of the former Harry Pussy guitarist is impossible to second guess. By Tony Rettman; Vanessa Rossetto: The Staten Island field recordist tells poignant and incongruous stories with loops and samples. By Ilia Rogatchevski; Slikback: Pushing beat-making software to the limits, the Poland based Kenyan producer conjures a world of posthuman rave music. By Hannah Pezzack; Michael Ranta: From Partch to Plank, the octogenarian percussionist and composer on a lifetime learning from the 20th century avant garde. By Derek Walmsley; Youth Code: Industrial shock unit. By Joseph Stannard; Fredrik Rasten: Not just intonation. By Peter Margasak; Nourished By Time: 808s and heartbreak. By Misha Farrant; Invisible Jukebox: Gina Birch: Will the Raincoat weather The Wire's mystery record collection? Tested by Mike Barnes; Global Ear: NØNRANDØM events in Philippine capital Manila. By Simon Coates; Unlimited Editions: Building the fifth world with Italian tape label Artetetra. By Milo? Hroch; The Inner Sleeve: Adam Wiltzie of Stars Of The Lid on Jóhann Jóhannsson's Virðulegu Forsetar; Against The Grain: Spotify is distorting the histories of UK Black musics, argues Derek Walmsley; Epiphanies: Post retirement, Larry Stabbins falls in love all over again with the saxophone. Plus 40 pages of reviews including Pharaoh Overlord: Welcome to the machine. By Emily Pothast; Dave Liebman\/Billy Hart\/Adam Rudolph: Other worldly goods. By Daniel Spicer; The Sabres Of Paradise: First cuts are the deepest. By Ken Hollings; Take No Prisoners: The Desert Storm Sound System Story: Reclaim the beats. By Derek Walmsley; MOR: Going underground in authoritarian Russia. By Xenia Benivolski; ECOCIDE: Climate summit. By Hannah Pezzack; Mehfil-e-Rose Hill: Ragas with rasa. By Daniel Spicer; and much, much more.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":45342352933058,"sku":"wire498","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wireaugust2025.jpg?v=1753972381"},{"product_id":"ugly-things-69","title":"ugly things-#69","description":"\u003cp\u003eA banger of an issue. Lou Reed is a cover story, as David Holzer digs deep into his provocative experimental double-LP Metal Machine Music, fifty years after its release. The Saints are back with the third part of an expansive interview with Ed Kuepper who talks about the band's adventures in the UK in 1977. The story of psychedelic mavericks Plasticland gets even freakier; Cheetah Chrome is interviewed about Rocket from the Tombs and the Dead Boys; Peter Stanfield exalts in the primal R\u0026amp;B sound of Them; and freewheeling Canadian folk-rocker Tom Northcott shares his remarkable story. Plus: the fascinating backstory of Pete Morticelli's 1967 moody garage killer 'Lost'; female Dutch psych rockers Cinderella; Duncan Fallowell on Bowie's Ziggy Stardust; Cyril Jordan on the Lovin' Spoonful; Bob Neuwirth on Janis Joplin; exotic guitar rocker Aris San; a tribute to the Pretty Things' Mark St John, and more. 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By Claire Biddles; Weston Olencki: The South Carolina born, Berlin based composer and trombonist has worked with composer collective Ensemble Pamplemousse and duo Rage Thormbones while racking up a catalogue of solo releases via Superpang, Tripticks Tapes and Lonform Editions. Their forthcoming new album Broadsides will document an environmental sonic travelogue of the American South. By Daryl Worthington; Fay Victor: The New York jazz vocalist's 2024 album Life Is Funny That Way contributed to the reappraisal of pianist Herbie Nichols as a visionary innovator, under-appreciated in his time. 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Includes amazing, lengthy oral history from the crew who worked behind the scenes on the 1981 Bronx-based cult horror flick Wolfen. This alone is probably worth the price of admission. A deliriously well-written tribute by noted music scribe and DJ Kurt Reighley to Gavin Friday, covering his entire career: from the Virgin Prunes through Hollywood collaborations, and his solo work today. Two separate charged and cantankerous interviews by Knoxville-based historian Eric Dawson, stitched together and serving as a swell tribute to the great Pere Ubu leader David Thomas (RIP). 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By Lucy Thraves; Features and regular sections - Rafael Toral: Following up on last year's celebrated Spectral Evolution, the Lisbon based guitarist, improvisor and engineer of DIY electronics delves into a sort of tradition with the October release of Travelling Light, his idiosyncratic take on a set of jazz standards made famous by the likes of Billie Holiday and Chet Baker. By Peter Margasak; Once Upon A Time In New York: Giorno Poetry Systems: New York poet and performance artist John Giorno founded the non-profit organization and label Giorno Poetry Systems to bring verse into dynamic engagement with pop artists and new music composers. The cultural context and legacy of GPS is examined by Alan Licht; Yusuf Mumin: The Black Unity Trio saxophonist discusses an expansive new collection of previously unreleased spiritual jazz explorations entitled Journey To The Ancient courtesy of archive label WeWantSounds. By Phil Freeman; Susu Laroche: The dark, liturgical style of the French-Egyptian interdisciplinary sonic and visual and artist has been showcased on a wide array of collaborations in recent years, as well as her latest solo release War Against The Lie. By Misha Farrant; Invisible Jukebox: Lord Spikeheart: The anti-genre metal vocalist and one half of Ugandan duo Duma takes on The Wire's mystery listening test. 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Inside: Features and regular sections: Griot Galaxy: Formed in 1972 by late saxophonist and poet Faruq Z Bey, and led by bassist Jaribu Shahid after a serious motorcycle accident left Bey unable to perform for the better part of a decade, the long under-appreciated Detroit Great Black Music ensemble have seen a renewal of interest in recent years. By Mike Rubin. Alpha Maid: Following a series of releases as one half of the duo Spresso with Mica Levi, Leisha Thomas, aka Alpha Maid returns with Is this a queue on AD93 records, her first solo release since 2021's CHUCKLE EP. By Claire Biddles. Emergence Collective: With a distinguished but revolving lineup of experimental performers from jazz, folk and modern composition backgrounds, the Sheffield group's improvised minimalism responds to the historical, architectural and acoustic qualities of each location where they perform. By Daryl Worthington. Konrad Smolenski: The Warsaw based sound and installation artist combines the DIY ethos and sonic antagonism of punk with minimalist formal strategies. By Robert Barry. Invisible Jukebox: Test Department: The pioneering industrial duo of Graham Cunningham and Paul Jamrozy down tools to take on The Wire's mystery listening challenge. Tested by Mike Barnes. Against The Grain: Holly Dicker on the histories of hardcore. Global Ear: UK Sacred Harp Convention. Unlimited Editions: Glint Music. Plus one page profiles of Debit, Klinck Trio and Erwan Keravec.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":45949715841218,"sku":"wire502","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wiredecember2025.jpg?v=1762972774"},{"product_id":"wire-january-february-2026","title":"wire-january \/ february 2026","description":"\u003cp\u003eOn the cover: 2025 Rewind: The Year in Sound and Music: The Wire's essential guide to the highs and lows of the last 12 months in underground music and culture. Our 2025 Rewind double issue will have twice the shelf life of a standard issue and will include our essential Top 50 Releases of the Year and Archive Releases of the Year charts, both compiled from the votes of more than 60 of our critics and contributors. Other features include cultural reflections from our roster of writers, our specialist columnists' charts and analyses from avant rock to dub, and essays on some of 2025's talking points including DIY radio, slow music for fast times, and the current state of skronk. Inside: Makaya McCraven; After a three year hiatus in solo output, the prodigious drummer, producer and bandleader has released one new studio album, Off The Record via Chicago's International Anthem label, and four EPs, all edited and reworked from extensive live recordings dating back as far as 2015 and featuring contributions from Theon Cross, Ben LaMar Gay and Jeff Parker. In this special feature he is interviewed by Black Rock Coalition bassist Melvin Gibbs; Company was the name the British improv guitarist Derek Bailey gave to the festival he ran in London between 1977?1994, for which he would invite diverse casts of musicians to come and improvise together. To mark the 20th anniversary of Bailey's death, Mark Wastell gives the inside story of what happened when the guitarist revived Company for events in New York, London and Marseille; Hilary Woods; The Irish confessional singer, songwriter and filmmaker returns to the Sacred Bones label with her new album Night CRIÚ, a follow up to 2023's acclaimed Acts Of Light. By Leah Kardos.\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":46463385272514,"sku":"wire503-4","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wirejanfeb2026.jpg?v=1766157177"},{"product_id":"we-jazz-issue-17-winter-2025-26-weathering-for-aja-monet","title":"we jazz-issue 17 winter 2025\/26: weathering for aja monet","description":"\u003cp\u003eWe Jazz Magazine, Issue 17, Weathering for aja monet. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. 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Our cover feature interview will be accompanied by a mini-feature on the history of rap's noisiest manoeuvres. By Joseph Stannard and Rob Turner. Features: O Ghettão: A DJ trio formed by DJ Danifox, DJ N***a Fox and DJ Firmenza, O Ghettão have been described by André Ferreira of Lisbon's Príncipe label as the 3 Chairs (the supergroup of Detroit house music elders) of the Portuguese batida sound. By Joe Francis. Vic Bang: The work of the Buenos Aires computer music composer and sound artist Victoria Barca has been homing in on fine acoustic details since she launched her Vic Bang alias in 2006. This year she'll release her new album with Warsaw's Mondoj label. By Daryl Worthington. Pascal Comelade: A near career spanning six disc box set is an opportunity to reflect on four decades of fringe post-minimalism and toy instrument wizardry from the French musician. By Julian Cowley. Invisible Jukebox: Daniel Blumberg: The London multi-instrumentalist, songwriter and film score composer braves The Wire's blind listening test. Tested by Claire Biddles\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":46954011623618,"sku":"wire505","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wiremarch2026.jpg?v=1772289780"},{"product_id":"wire-april-2026","title":"wire-april 2026","description":"\u003cp\u003eOn the cover: Wendy Eisenberg. Over the past decade, the Brooklyn-based vocalist, songwriter and guitar\/banjo improvisor has had a string of highly acclaimed solo releases and creative partnerships with John Zorn, Bill Orcutt and Eugene Chadbourne while fronting art rock power trio Editrix. This April, a new self-titled, self-released solo album will bring their songwriting nous and semi-pastoral folk sensibilities to the fore. By Stewart Smith. Features and regular sections: KAVARI: On Plague Music, her first release for esteemed UK indie label XL, the Glasgow-based Liverpudlian DJ and producer brings her dank, noise damaged club stylings into the light. By Misha Farrant. The Primer: Augustus Pablo: A user's guide to the late roots reggae and dub pioneer and melodica master born Horace Michael Swaby (1953?1999) will touch upon his collaborations with producers such as Herman Chin Loy, King Tubby and Lee 'Scratch' Perry and his spearheading of the 'rockers' sound. By Derek Walmsley. Mariá Portugal: The Brazilian jazz\/improv drummer and singer plays with São Paulo instrumental quartet Quartabê as well as jazz and improv luminaries like Maggie Nicols, Gerald Cleaver, Joëlle Leandre and more. 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Inside: Delphine Dora: The Parisian multi-instrumentalist, vocalist and songwriter has released a suite of keyboard instrumentals pondering the poetics of acceleration and alienation, l'ineluctable pulsation du temps via Toronto's Marionette records. By Milo? Hroch. The Sleeves: The guitar\/vocal duo of Tara Cunningham and Jack Cooper (one half of the quartet Modern Nature) present their debut album via 12XU before live dates in the US and UK in summer. By Lucy Thraves. Brion Gysin: Recent years have seen a revival of interest in the legacy of the late artist and poet who worked closely with William Burroughs to develop the cut-up as a poetic and literary technique. Parisian label WEWANTSOUNDS reissues his long out of print Dreamachine recordings. 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Shabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, \"The Space Book\" by Patrick Preziosi, \"XT\" by XT (Paul Abbott \u0026amp; Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term \"Free Jazz\" by Pierre Crépon, Alexander Hawkins by Kevin Le Gendre Alan Braufman by Andy Beta, Discaholic column by Mats Gustafsson, album reviews, live reviews, Big Ears Festival photo essay and more.\u003c\/p\u003e","brand":"we jazz","offers":[{"title":"Default Title","offer_id":47662963949762,"sku":"wjmag018","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wejazzissue18.jpg?v=1778786771"},{"product_id":"wire-june-2026","title":"wire-june 2026","description":"\u003cp\u003e\"On the cover: Seefeel: The veteran guitar and electronics project -- the first guitar band signed to Warp records -- forged their reputation in the '90s by bridging nascent shoegaze and post-rock worlds with ambient techno and what became known as IDM. Now a trio of founding members Mark Clifford and Sarah Peacock with Shigeru 'DJ Scotch Egg' Ishihara, they are preparing to release Sol.Hz, their first album of new material in 15 years. By Abi Bliss. Inside: Asher Gamedze: The Cape Town based drummer, bandcleader, educator and activist released A Semblance Of Return, his first for Northern Spy, with his new ensemble named A Semblance. By Francis Gooding; Ibrahim Alfa Jr: With a prolific career in the late '90s stalled by legal woes, the experimental techno producer returned to the fold in the mid-2010s. This year he'll release new material on LA producer Brian Foote's FO label. By Steph Kretowicz; Emilie Skrijelj and Tom Malmendier: The drums, accordian and electronics\/turntable duo have racked up a diverse range of collaborators from Otomo Yoshihide and Fred Frith to Mike Ladd, as showcased on the catalogue of their eux sæm label. By Daryl Worthington; Magic Tuber Stringband: Durham, North Carolina based duo Evan Morgan and Courteney Werner formed Magic Tuber Stringband to combine Appalachian folk song-form with contemporary experimentalism. Their new album Heavy Water will be out on Thrill Jockey this May.\"\u003c\/p\u003e","brand":"wire","offers":[{"title":"Default Title","offer_id":47665038295234,"sku":"wire508","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/wirejune2026.jpg?v=1778870036"},{"product_id":"wire-july-2026","title":"wire-july 2026","description":"\u003cp\u003eOn the cover: EarthBall: The Canadian improvised free rock collective have earned a reputation for electrifying live sets since their 2019 inception. Last year's Actual Earth Music Volumes 1 \u0026amp; 2 documented performances in Vancouver and London, with guest collaborations from Chris Corsano and Steve Beresford. This year they follow up with Volumes 3 \u0026amp; 4 incorporating live recordings from Geneva and the Le Guess Who? festival in Utrecht. By Emily Pothast. Inside: DoYeon Kim: The Seoul born, New York based gayageum player, composer and improvisor has released her highly anticipated debut Wellspring on TAO Forms, supported by an ensemble featuring drummer Tyshawn Sorey, double-bassist Henry Fraser and violist Mat Maneri. By Stewart Smith; Jocy de Oliveira: In the year of her 90th birthday, the pioneering Brazillian composer and pianist's work is the subject of Dácio Pinheiro's documentary film The Circular Universe, reflecting on her life, work and legacy. By Andy Cumming; Onilu: For their forthcoming album Jakutá's Dance, on New York's 577 records, Onilu founders Kevin Diehl and Joe Chambers have been joined by Craig McIver and Daniel Villarreal to create a formidable percussion ensemble. 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