{"title":"new arrivals","description":"","products":[{"product_id":"department-s-t-ep","title":"department-s\/t ep","description":"\u003cp style=\"font-family: Arial,'Helvetica Neue',Helvetica,sans-serif; font-size: 12px; margin: 10px 0; padding: 0; color: #202020; line-height: 150%; text-align: left;\"\u003eINDEX:Records alum vase (aka Downstairs People; games) and label-head Conna Haraway team up as ‘department’ to deliver a two-track mini-epic of sprawling brooding soundscapes and future-facing rhythms, via finely chiseled abstract outbursts and widescreen cinematic depth of field. (Additional live instrumentation comes courtesy of Glasgow-based staev, and INDEX:Rec affiliate MCRD supplies intuition suggestions.) Starting off as a proper serene slice of beatless musing, 'cogent' slowly hatches into a rhythmic shape-shifter combining the immersive power of elastic sound membranes with the incisiveness of post-industrial breaks, leaning towards IDM-oid fractals and signature UK bass menace. All in vaporous piano chords (cue: staev), heavily dubbed-out layers and FX-coated emotion, 'recovery' beckons us onto the path of soulful elation with its poignant melange of brittle stabs and skittish drum patterns gone astray. Dark and solar at once, the track blends cavernous entrancement with verbed-out RnB samples and percussive trenchant on a steely, broken techno tip. Ethereal like a mirage yet daunting as the four elements boiling up a storm, Department's debut two-tracker is an elusive piece of sewn-together sketches exuding the sheer magnitude of a master painting in sound.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=zousc1phg8VD_MzZ\u0026amp;list=OLAK5uy_lnl9XvBxXKoYhFGGsm99YegnYkDFK8das\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"index","offers":[{"title":"Default Title","offer_id":46647605690562,"sku":"index021","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/departmentst.jpg?v=1770319517"},{"product_id":"che-vuoi-cinecittax-lp","title":"che vuoi-cinecittàx lp","description":"\u003cp dir=\"ltr\" style=\"font-family: Arial,'Helvetica Neue',Helvetica,sans-serif; font-size: 12px; margin: 10px 0; padding: 0; color: #202020; line-height: 150%; text-align: left;\"\u003eFrench artist based in Brussels, Che Vuoi presents her first album Cinecittax, a nod to the great Italian studio, and a tribute to false dreams. A theatre at the back of a run-down piano bar, where surreal and intimate scenes unfold; words and stories drawn from disparate sources: Fellini, G. Réal, Diderot... or written by herself, spoken, shouted or barely whispered by an altered voice. Noises, samples, a drum machine, a brush on a snare drum, a piano spinning round and round until it reaches delirium and its own abolition, leaving us suspended in a constant in-between or a time that never truly existed.\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"font-family: Arial,'Helvetica Neue',Helvetica,sans-serif; font-size: 12px; margin: 10px 0; padding: 0; color: #202020; line-height: 150%; text-align: left;\"\u003e« This voice, gentle, mad, with lightning verve, tells between the lines and the echoes the presence of threatening shadows and ghosts. And it is Che Vuoi, her character, her world of images, that haunts us. It is a strange bewitchment that carries us beyond the words she has freed from \"the stationery I stole from Bellavista the other night\" (\"le papier à lettre que j’ai chipé au Bellavista l’autre soir\") into the lair of her universe, as whimsical as it is silky in which we let ourselves slip, as one would slip over the rock of an esoteric river, in the heart of a forest that makes music and has delirious things to tell us. » -Constance Fleury\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2163395178\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;buying=false\u0026amp;download=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"disques de la spirale","offers":[{"title":"Default Title","offer_id":46647626498242,"sku":"lpsp1005","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/chevuoicinecittax.jpg?v=1770319979"},{"product_id":"yogg-dont-you-ep","title":"yogg-don't you ep","description":"\u003cp style=\"font-family: Arial,'Helvetica Neue',Helvetica,sans-serif; font-size: 12px; margin: 10px 0; padding: 0; color: #202020; line-height: 150%; text-align: left;\"\u003eYogg delivers the second release on his Polarized Future label, with four deep and sub-heavy cuts on ‘Don’t You’. Produced in his new Brussels studio, the EP channels the tension between familiarity and instability. The sounds here are deconstructed, fizzing and alive, produced with a pointillistic attention to detail. This is music built for soundsystems, with a strong emphasis on bass weight and meditative, spacious minimalism. Elements are removed to the bare essentials, at times feeling like a contemporary reimagining of the early sound of dubstep; echoing the unease of a society in the midst of a dystopian timeline.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=f5KjaF5m6Bt0T4Kb\u0026amp;list=OLAK5uy_nHsrALL77YGuDr7OwTS7ypxhsS4vYynwI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"polarized future","offers":[{"title":"Default Title","offer_id":46647668900034,"sku":"pfr002","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/yoggdontyou.jpg?v=1770321038"},{"product_id":"ten-years-lost-x-dj-superherb-serious-coin-lp","title":"ten years lost x dj superherb-serious coin lp","description":"\u003cp\u003e\u003cspan\u003eConcrete City's two residents re-emerge with 'Serious Coin', the second long-player from label head DJ Superherb and long-time collaborator Ten Years Lost. Where their 2023 debut basked in heat-hazed hedonism, this follow-up sharpens the focus. At times deeper, and consistently drawing from the pair's shared language, Serious Coin is an unmissable entry in the Full Dose catalogue. Across eight tracks, the duo lean further into their soulful instincts, balancing weighty low-end pressure with a distinctly human emotional warmth. Vocoded vocals, coalescing with dungeon synths, being carried by heavily swung rhythms represent a new strand in the pair's musical DNA. The album captures the stillness of early morning city streets, yet still manages to push rhythmic elements forward. Barely-present samples and subtly detuned synths give the tracks a lived-in feel, as if they’ve already soundtracked a hundred late nights before reaching your speakers. Like the first, this album has one foot firmly in dancefloor utility and the other in headphone introspection. Don't miss this dustier and deeper evolution to the Full Dose sound! \u003c\/span\u003e\u003c\/p\u003e","brand":"full dose","offers":[{"title":"Default Title","offer_id":46647673848002,"sku":"fd23","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/djsuperherbtenyearslostseriouscoin.jpg?v=1770321454"},{"product_id":"ma-estrela-tornada-lp","title":"má estrela-tornada lp","description":"\u003cp\u003eAssembled by Pedro Alves Sousa, Má Estrela is a conjuration of ideas and obsessions around dub, leftfield dance phenomena and the hypnotic potential of urban somnambulance. In a levitating state, not exactly detached from the unease of these end times, Sousa surrounds himself by a number of accomplices from past and present endeavors to project a scrying mirror reflection of distinct languages of trance and liberation -- dub's space and infinity, jungle and footwork's broken shards, DJ Screws legacy perpetually reanimated via numerous slowed down anonymous versions on Youtube and the lyricism and fire of jazz. Temporarily a quartet, comprised of Sousa on saxophone and its electronic processing, Bruno Silva and Simão Simões on electronics and Gabriel Ferrandini on acoustic and electronic drums, after the departure of Miguel Abras, Má Estrela had in their 2022 debut album their first document of this ongoing process that's now continued with Tornada. Miguel Abras has since been replaced with Bruna de Moura and Má Estrela came back to being a five piece. Tornada deepens the symbiotic connection between those rhythmic, melodic and textural particles in a mutating flux of continuities and disruptions throughout seven tracks. Featuring the invocations of Elvin Brandhi in \"All You Did,\" Tornada makes its way amidst harmonic specters, rhythmic debris that breathe for life and a certain, implicit idea of ritual that sustains itself liminally between the ethereal dissolution of time and the physical projection of space.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IyGrk7nn6RY?si=-CzxJe7JqJCpa-dv\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"discrepant","offers":[{"title":"Default Title","offer_id":46650485047490,"sku":"crep124","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/maestrelatornada.jpg?v=1770386938"},{"product_id":"anthony-moore-monkeys-birthday-lp","title":"anthony moore-monkey's birthday lp","description":"\u003cp\u003eThe collaboration between Anthony Moore and filmmaker David Larcher began in the late '60s, at the start of both their respective careers and lasted many years. Following on from the 2024 release of the soundtrack to Mare's Tail (the first collaboration with Larcher) comes the release of the soundtrack to his second film, Monkey's Birthday. This LP is a condensation of the essence of this six-hour film. The sound is partly taken directly from the existing soundtrack and partly from stereo masters that have survived through the decades. Shot and edited between 1973 and 1975 this epic film moves through a variety of landscapes, both physical and abstract. It was filmed in various locations, starting in Germany and moving through Hungary, Romania and most substantially in rural Turkey. In large part this is a road movie that takes the filmed events and locations and uses them as sources for further experimentation. In much the same way, the location recordings made by Anthony Moore are used as raw material for creating much of the soundtrack, working from a battery powered studio in the back of his truck in this east bound convoy. The previously released excerpt, \"Plains Of Hungary (ReR Quarterly Vol.2 No.1)\" is included on this album in its rightful place among the collages of Islamic chant, field recordings, tape loops, jam sessions etc. Heathcote Williams is also in the mix reading from esoteric texts. Also feature, alongside various voices from the crew and general public, is a repeated theme using the looped cut up voice recordings from the two other members of Slapp Happy (Dagmar Krause and Peter Blegvad), who took to the road for part of this grueling journey. Comes with large four-sided insert. Numbered edition of 500.\u003c\/p\u003e","brand":"paradigm discs","offers":[{"title":"Default Title","offer_id":46650487701698,"sku":"pd42","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/anthonymooremonkeysbirthday.jpg?v=1770387310"},{"product_id":"sagat-veil-lp","title":"sagat-veil lp","description":"\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMultidisciplinary Brussels-based artist Sagat steps up with a new mini album on the Basic Moves side label, Gems Under The Horizon, featuring a remix by Slovenian ambient bird e\/tape. A few years ago, Wiet Lengeler, aka Sagat was invited by Basic Moves to create a live visual show using an analogue video synth setup to accompany a 5-hour dj set by e\/tape at Face B in Brussels. From that moment on, the synchronicity between the two artists was clear - and this EP is the result. \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eBesides his visual work, Wiet Lengeler is also known for his contemporary techno music, primarily released on Brussels’ cult label Vlek Recordings. For this mini-album, Gems Under The Horizon 003, he presents four grainy ambient and textured electro-acoustic explorations. The tracks unfold organically — like ivy — gradually revealing layers of sound and hidden textures beneath babbling streams of electronics. e\/tape’s remix feels like a natural continuation of Sagat’s sonic universe, together forming a mesmerising whole that explores the fringes of ambient music. In addition to the release, a limited run of the release + 30 x 3 riso printed posters from the visual show at Face B, made by Sagat and hand numbered are made available. \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMastering and lacquer cut was done by Frederic Alstadt at Angstrom Mastering. Artwork \u0026amp; inserts are designed by renowned Ghent-based visual artist Dieter Durinck. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4El9n3gz--U?si=H_tZ8iCAdigJ-6ln\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"gems under the horizon","offers":[{"title":"Default Title","offer_id":46650893238466,"sku":"gems03","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/sagatveil.jpg?v=1770401617"},{"product_id":"robert-henke-layering-buddha-2lp","title":"robert henke-layering buddha 2lp","description":"\u003cp\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eFor AI-41 Astral Industries presents a vinyl reissue of Robert Henke’s multifaceted concept album ‘Layering Buddha’. An erudite masterclass on sampling and composition, ‘Layering Buddha’ encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself. Originally released in 2006, ‘Layering Buddha’ began with a curious encounter with the ‘Buddha Machine’ - a pocket-sized, battery powered playback device that, over the past two decades, has quietly achieved a cult status around the world. Conceived by the Beijing-based group FM3 (Christiaan Virant, Zhang Jian), the machine takes inspiration from TibetanBuddhist prayer boxes and consists of nine sound loop compositions of varying length, which can be toggled with a single switch. Due to low production cost and manufacturing imperfections, each Buddha Machine is unique, giving slight variations in sound, pitch and duration. Using a state of the art A\/D converter Henke made high quality recordings from a single machine, providing the source material for the album. Through various processing and arrangement methods, new pieces emerged, most of them all deriving from a single source loop. The pieces were then set up on the computer as generative arrangements, living as continuously permutating structures that could theoretically go on forever - just as the loops do within the Buddha Machines... The final pieces featured on the album are rendered excerpts of these infinite permutations, and therefore exist as momentary views on a perpetual machinery, as opposed to closed works. Upon initial exploration,it also became a natural development to format the work into an immersive multi-speaker performance - which premiered on January 31, 2007 \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=LU7txKtji28jdAmJ\u0026amp;list=OLAK5uy_nL_UkFE1VBfSWcozk3eskjqa1UECrXLvE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"astral industries","offers":[{"title":"Default Title","offer_id":46650912440514,"sku":"ai-41","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/roberthenkelayeringbuddha.jpg?v=1770402191"},{"product_id":"winkles-the-unavoidable-ep","title":"winkles-the unavoidable ep","description":"\u003cp\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe first ASFON release has been a year-long labour of love that has comeinto being from what felt like a lucid dream, off in the distance, too crazy to believe was real. From our first meeting in the Freerotation yurt to late-night exchanges in Bristol, Winkles (Jamie Slater) has been sharing tracks that lingered long after the party ended. Their raw textures and warped sense of time found a natural home in our sets, eventually leading to the emergence of ‘The Unavoidable EP’, a collection of four diverse tracks which form a singular, immersive experience. On A1 journey, The Unavoidable Consequence Of Familiarity, a knocking kick opens the door to this new sound world, introducing us to the granular clicks, crazed telephony and vocoded grunts which populate the deep space of Winkles’ imagination. Machines whir and perception shifts in the space between distant synth stabs, while a pulsating bassline battles to break through the filter and create a throbbing low end. Hallucinatory and deep, this is the perfect introduction to both the EP and the ASFON outlook. Semi Stretches sees Winkles pick up a signal from beyond the outer rim, fire up the hyperdrive and lock into the rolling hum of intergalactic techno.Juggernaut bass forms the perfect counterpoint to the rapid fire rim shots trembling away up top as this Venusian club craft battles static, drives through the milky cosmic and transports the dancing bodies to a Multicoloured Plasticine Universe. Cutting the engines and switching to suspended animation, Winkles lets us drift through a hazy dream-space where there’s no up or down, where twinkling arps, insectile electronics and hazy sirens coalesce into a psychotropic swirl. Out of this multicoloured mirage comes Osaka-based astral traveller Erik Luebs, who translates that peak-time ambient bubbler into a Balearic chugger which emerges from the ether to add another dimension to the EP. Rubberised bass, velvet pads and nuanced percussion ensure this is perfect for poolside play in a land of pink sand andsidewaystides.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=9Wkn6P5F29x3NRTA\u0026amp;list=OLAK5uy_nRSGnfEEoTmH-QDY9M_cKKVqqU9ri58LY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"a sky full of numbers","offers":[{"title":"Default Title","offer_id":46650957562050,"sku":"asfon001","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/winklesunavoidable.jpg?v=1770403315"},{"product_id":"mister-joshooa-cosmos-anxiety-ep","title":"mister joshooa-cosmo's anxiety ep","description":"\u003cp\u003eDetroit mainstay Mister Joshooa is back on Party Store and this time with a proper full length EP! “Cosmo’s Anxiety” features 3 originals from Josh that highlight collaborations with Jeremy Kypta and Ataxia alongside 2 remixes from esteemed producer Delano Smith and Party Store label boss Mass Prod that will keep the dancefloor humming. “Cosmo’s Anxiety” is a release that explores genres, going from bass to house to techno. These are all solid club tools that will keep the club frenzied and embody the Party Store spirit: FRESH OUTTA JAIL. Following up on his release on Planet E and his recent performances in the world's temple of techno, Berghain\/Panorama Bar, Cosmo’s Anxiety is a timeshifting bass tool, both abstract yet powerful and empty yet present. It will allow you to take your crowd towards the most twisted points of club music. Delano Smith and Mass Prod both deliver a more four to the floor, club friendly version of “Cosmo’s” with Delano taking the core groove of the track and bringing it up to a monstrous Detroit House stomper, heavy on the bassline and chords, it flows effortlessly. Mass Prod delivers a darker, lower body version of the title track, a minimalistic after hour tool where eerie vocals and percussions are atop a massive breakdown that will turn heads\u003cspan class=\"bcTruncateMore\"\u003e immediately. “Adult Use” is proper after party fuel to propel the vibe and get extra weird while “Ketchup Popsicle\" is a pure banger with psych vocals and digital acid at its best, not for the faint of heart but guaranteed to push things to the next level.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OjRM4MXPifI?si=eLbKOMFOsfJdLfPJ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"party store","offers":[{"title":"Default Title","offer_id":46667096260802,"sku":"pt01","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/misterjoshooacosmosanxiety.jpg?v=1770838031"},{"product_id":"sophie-product-lp","title":"sophie-product lp","description":"\u003cp\u003epink vinyl edition. \u003cspan\u003e11-song 10th Anniversary update of Sophie’s foundational singles collection \u003c\/span\u003e\u003c\/p\u003e","brand":"numbers","offers":[{"title":"Default Title","offer_id":46701985530050,"sku":"nmbrs48","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/sophieproduct.jpg?v=1770924650"},{"product_id":"d-howard-integrate-lp","title":"d. howard-integrate lp","description":"\u003cp style=\"font-family: Arial,'Helvetica Neue',Helvetica,sans-serif; font-size: 12px; font-style: normal; font-weight: normal; margin: 10px 0; padding: 0; color: #202020; line-height: 150%; text-align: left;\"\u003eIntegrate marks the debut release for both new UK electronic music label System One \u0026amp; label head D. Howard* No stranger to the music having worked with some of the most well known electronic acts over the last 30 years, Integrate marks the first time D.Howard has gone studio side to empty the contents of his mind Integrate spans a range of classic influences over its 7 tracks. The warm vintage pads and arpeggiated acid sequences of Helford Dawn recall a touch of Warp era Black Dog. Solaris take a spacey electro driven trip adrift on evocative \u0026amp; reflective chords while Aja takes the beat further, melancholic \u0026amp; eerie atmospheres sits atop a lithe acid bass line and crisp drum programming Dear James pays tribute to the much regarded producer James Rekab Baker who sadly passed away in September 2025  James was the first person to hear this project \u0026amp; his enthusiasm and support was the push needed to start System One and release the music. The track is a soulful melodic deep tech cut reminiscent of early Dutch techno and has received great reactions from radio DJs such as Damo B, Colin Dale, Luke Una, Ross Allen, Paul ‘Apiento’ Byrne \u0026amp; Ollie Chubb at NTS and Quinn Paranoid London (Rinse FM) System One is a new label dedicated to soulful electronic music, late night grooves \u0026amp; intergalactic beats, drawing its inspiration from the early 90s techno \u0026amp; ambient sounds of Uk, Frankfurt, Detroit \u0026amp; beyond\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jFgFKACaBsE?si=Kw9vptkgtZwBR8Ex\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"system one","offers":[{"title":"Default Title","offer_id":46702081802434,"sku":"12syst1001","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/dhowardintergrate.png?v=1770926972"},{"product_id":"gal-costa-s-t-lp","title":"gal costa-s\/t lp","description":"\u003cp\u003eReleased in 1969, Gal Costa is the album that cemented Gal as one of the boldest voices of Brazil's Tropicalia movement -- and it still sounds thrillingly alive today. Coming right after the genre-shaking Tropicália ou Panis et Circencis, this LP captures a moment when Brazilian music was breaking rules, blending psychedelia, rock, samba, and poetic experimentation into something totally new. Gal's voice is the real star here: warm, fearless, and incredibly expressive. She moves effortlessly from soft, intimate moments to explosive, full-throttle performances, always sounding confident and emotionally present. Backed by adventurous arrangements and songs from key Tropicalia figures like Caetano Veloso and Gilberto Gil, the album feels both playful and politically charged, even when it's being subtle. Several tracks stand out as absolute classics. \"Baby\" is a highlight right away -- cool, tender, and deceptively simple, with Gal delivering Caetano Veloso's lyrics in a way that feels both innocent and quietly radical. On the other end of the spectrum, \"Divino, Maravilhoso\" is pure intensity: urgent, raw, and electrifying, capturing the restless spirit of the era and showcasing Gal's power at full blast. \"Não Identificado\" leans into dreamy psychedelia, floating between romance and cosmic imagery, while \"Que Pena\" shows her knack for turning heartbreak into something irresistibly melodic and catchy. What makes this record special is its balance. It's experimental without being alienating, sophisticated without losing its groove. Tracks flow naturally, pulling you into a colorful, slightly rebellious world that reflects the cultural tension and creativity of late-'60s Brazil. If you're curious about Tropicalia or just want a timeless album driven by pure vocal charisma, Gal Costa (1969) is an essential listen.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=OfHY0hOmuB0k_c6K\u0026amp;list=PLrt7VbxNS8rcM1ilDT84O_mpPOLNPaJ97\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"vampisoul","offers":[{"title":"Default Title","offer_id":46722764964034,"sku":"vampi344","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/galcostast1969.jpg?v=1770993962"},{"product_id":"angel-vasquez-y-su-conjunto-la-gustadera-lp","title":"angel vasquez y su conjunto-la gustadera lp","description":"\u003cp\u003eÁngel Vásquez brought Antillean shades into the accordion tradition of a region overflowing with juglares, as the Colombian northern coast has always been. Vásquez built a monumental songbook where pachanga, charanga, son, cumbia, and even the Puerto Rican countryside, Boricua sound, played leading roles. His few recordings carried a remarkable stylistic range, making it difficult to put him into any single category -- a quality that led to a style he himself called vasquesón. In the early seventies, he released through Discos Fuentes a single that would become one of the anthems of the Barranquilla Carnival: \"Pica pica en carnaval,\" a tropical, electrifying gem with a guarachero flow so unmistakable that it's still a staple in verbenas, neighborhood dances, and picó parties today. La gustadera comprises a muscular, rhythm-packed ride moving from pachanga to paseaito, passing through charanga, porro, son and, of course, vasquesón -- a full-on celebration where the accordion leads the dance. Here, direct lines are drawn between Colombian coastal folklore and Afro-Antillean sound -- pure joy painted with the everyday imagery of coastal life. First time reissue of this mega rare Ángel Vásquez album.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VmvEaevAUZQ?si=n2QBiCPtKhykyon5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"vampisoul","offers":[{"title":"Default Title","offer_id":46722791407810,"sku":"vampi346","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/angelvasquezlagustadera.jpg?v=1770994894"},{"product_id":"sababa-5-ca-va-ca-va-lp","title":"sababa 5-ca va ca va lp","description":"\u003cp\u003eSababa 5 return to their roots on Ça Va Ça Va -- a melting pot of Middle Eastern and Mediterranean sounds, layered with psych-soaked guitars, cosmic synths and heavy, driving grooves. A pure dose of party energy and nostalgia from Batov Records' finest. With four albums already behind them, Sababa 5 have earned global support, from Songlines magazine and BBC Radio 6 Music tastemakers including Gilles Peterson, Jamz Supernova, and Iggy Pop to France's FIP Radio and Radio Nova, for their unique blend of traditional Middle Eastern celebration music with psychedelic grooves, funk, jazz, rock, and international vocal collaborations spanning Japan to India. The Paris-based group have taken this sound to stages across Europe, including Reeperbahn Festival and Dresden's Super Fest. Ça Va Ça Va is the band's hafla album -- a return to the wedding and event celebration music that first shaped Sababa 5. Recorded in Paris, it draws directly from the sounds of hafla -- the joyful, communal music heard at Middle Eastern weddings, parties and festive gatherings -- with a sprinkling of influences from the wider Mediterranean. The group utilize their classic combination of electric guitar, bass, drums, organ, and synths to transform these ideas into vibrant melodies, dance-ready rhythms, and a spirit of abundance and togetherness. Opening track \"Bienvenue\" sets the tone with a mysterious, longing guitar solo before bursting into an irresistible rhythm and jubilant guitar motif. It flows seamlessly into \"Allô,\" straight into wedding-riot territory -- a fast-rising instrumental that showers the dancefloor with energy as it builds around a hypnotic, arpeggio-driven riff. The album is almost entirely original material, with two key exceptions: \"Ypárcho\" (I Exist), a beautiful instrumental journey inspired by a classic Greek song traditionally performed by Stelios Kazantzidis, and \"Asunsan,\" an instrumental flip of the much-loved Sababa 5 collaboration \"Nasnusa\" with Yurika Hanashima. Another impressive step in the Sababa 5 story, Ça Va Ça Va captures both joy and longing -- the unmistakable warmth of Eastern Mediterranean celebration and the band's surf-rock edge -- sounding more confident, spirited and deeply rooted than ever.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FezTDhZzZ8Q?si=0PPPXPxMuOqvpp04\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"batov","offers":[{"title":"Default Title","offer_id":46722793373890,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/sabaaba5cavacava.jpg?v=1770995177"},{"product_id":"charlemagne-palestine-battling-the-invisible-lp","title":"charlemagne palestine-battling the invisible lp","description":"\u003cp\u003eIn 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits -- a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invisible unearths two electronic studies from that crucial year, paired with rare 1972 Bösendorfer sessions -- a document that illuminates the passage from pure electronics to the keyboard as an instrument of prolonged ecstasy. \"Low Sounds 3\" opens the record with fifteen minutes of low frequencies that seem to emerge from the very foundations of the sonic edifice. There is no development in the traditional sense, but a static presence that gradually colonizes the listening space. Think Eliane Radigue's meditative drone work filtered through a raw, almost brutalist sensibility. \"Sine Tone Study\" on Side B extends this practice for nearly nineteen minutes -- sine waves overlapping, creating beating patterns, zones of interference explored with the patience of an entomologist. The two 1972 Bösendorfer fragments function as bridges toward the Palestine the world knows better -- the strumming ecstasies, the hypnotic accumulation of overtones, the piano as a vehicle for transcendence. Here the physical approach to the keyboard is already evident -- what he would describe as a \"battle.\" This release is part of Alga Marghen's The Golden Research series -- a concept devised by Palestine himself around the idea of \"perfect sound.\" The series focuses exclusively on completely unreleased archival materials, bringing to light legendary recordings that have never been heard before. The LP includes a 8-page interview conducted by Sumner Crane and Rudolph Grey in January 1979 at Palestine's NYC loft, with Arto Lindsay present, later redacted by Alan Licht. The insert is an anastatic reproduction of the original 12-page typescript. Unfiltered, explosive -- Palestine on violence, on the body as battleground, on his Brooklyn childhood. Essential reading. Edition of 300. Includes 8-page booklet.\u003c\/p\u003e","brand":"alga marghen","offers":[{"title":"Default Title","offer_id":46722802614466,"sku":"nmn184","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/charlemagnepalestinebattlingtheinvisible.jpg?v=1770995908"},{"product_id":"papiro-uscire-da-fuori-lp","title":"papiro-uscire da fuori lp","description":"\u003cp\u003eOriginally from Sicily but living in Basel, electronic composer Marco Papiro confirms his eccentric and multifaceted personality. The sound articulation of his analog synthesizers flows into in an artificial hyperrealism of great thematic and expressive variation. The tracks unfold between ascending cosmic moments, more ecstatic meditative tones, symphonic planetary floods, exotic Afrodelic and psycho-Andean drifts. Papiro synthesizes and converts echoes of acoustic wind instruments (oboe, recorders, bamboo flute), while the percussion lives on its own pulsating reality. The influence of certain folk traditions, as well as contemporary music, also suggests the more acoustic flavor of an ethereal minimalism (for voice and psaltery), making his music a continuous open sea of visions. Cover painting by Anton Bruhin printed on two different colored papers. Co-released with Les Giants.\u003c\/p\u003e","brand":"black sweat","offers":[{"title":"Default Title","offer_id":46722823028930,"sku":"bs102","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/papirousciredafuor.jpg?v=1770998226"},{"product_id":"reigakusha-gagaku-suites-2lp","title":"reigakusha-gagaku suites 2lp","description":"\u003cp\u003e\"Gagaku\" is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century. These recordings partly reflect repertoires borrowed from Chinese music between the 5th and 9th centuries. The incredible variety of timbres of the instruments greatly amplifies the listener's exotic imagination: the eternal breath of the flutes (ryuteki and hichiriki) creates a sort of suspension of time, together with the hypnotic and hallucinatory atmosphere of the mouth organs (shō). The meditative tone of the string instruments (bika and koto) that punctuate the voids and silences is impressive, as is the enigmatic percussion section, with the tolling of the gong (shōko) and the calibrated beats of the drums (taiko and kakko).\u003c\/p\u003e","brand":"black sweat","offers":[{"title":"Default Title","offer_id":46722825388226,"sku":"bs101","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/reigakushagagakusuites.jpg?v=1770998449"},{"product_id":"guerre-froide-s-t-ep","title":"guerre froide-s\/t ep","description":"\u003cp\u003eReissue on white color vinyl. First time reissue of this French cold-wave\/minimal-synth treasure. Originally released in November, 1981. \u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5PI05NJXjYo?si=UoMZowuQwcGIIHFR\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"born bad","offers":[{"title":"Default Title","offer_id":46722835841218,"sku":"bornbad072","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/guerrefroide.jpg?v=1770999183"},{"product_id":"esplendor-geometrico-el-pulso-del-acero-shinkansen-2lp","title":"esplendor geométrico-el pulso del acero: shinkansen 2lp","description":"\u003cp\u003eEl Pulso del Acero: Shinkansen is Esplendor Geométrico's new album, featuring 16 powerful tracks that showcase the electric energy of this group, with a unique blend of trance-inducing industrial rhythms combined with collages of voices and noise. The raw power of their early work is also present here in some brilliant reconstructions of '80s tracks turning out very different from the originals. Songs such as \"Auto Reverse\" will be especially appreciated by the most avid fans of EG's early sound. Other tunes of futuristic industrial music closer to their previous album, Strepitus Rhythmicus, are also included. Ten tracks were recorded in 2025 in Tokyo, where Arturo Lanz (founding member of E.G.) currently resides. The other six were released, only on CD, in an ultra-limited edition shared with the group De Fabriek in 2023, long sold out, now finally on vinyl for the first time. Born in 1980 as a trio, and currently a duo formed by Arturo Lanz (founding member) and Saverio Evangelista (member since 1991), Esplendor Geométrico is an influential and international electronic cult band and also a rare case in the Spanish music scene, as they have developed their own independent path aside from tags, fashion or trends, in spite of being often classified as industrial music. Their career for more than four decades hasn't had interruptions. They haven't stopped composing, releasing albums, or playing live. Their influence has marked many later artists, usually classified in the so-called industrial music or rhythm \u0026amp; noise, as well as artists from current techno and certain types of experimental noise music.\u003c\/p\u003e","brand":"geometrik","offers":[{"title":"Default Title","offer_id":46728904310978,"sku":"gr2163","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/esplendorgeometricoelpulsodelacero.jpg?v=1771009860"},{"product_id":"luciano-maggiore-mimosa-pudica-lp","title":"luciano maggiore-mimosa pudica lp","description":"\u003cp\u003eMimosa Pudica brings together two works by Luciano Maggiore, both conceived as live performances structured around the presence and behavior of an audience. In both cases, rhythmic and formal elements arise from acts of observation and listening: eye contact, involuntary sounds, shifts of attention, hesitation, withdrawal. Mimosa Pudica reconstructs the conditions of these works in the absence of an audience. The record operates as a displacement: a concert without spectators, a live situation deprived of the social geometry that normally sustains it. What remains is not the trace of an event, but the internal workings of the pieces -- listening as response, rhythm as a fragile negotiation, sound as the outcome of relational tension. Recorded during a residency at Nub Project Space, the two works are built through layered actions performed by a single body, yet assembled to suggest the presence of a full room. The result is neither a straightforward studio construction nor a live recording, but a deliberate ambiguity: a record that imitates the dynamics of a concert while suspending its most recognizable cues. In straight lines, an uncertain whistle unfolds against a cluster of sine waves, punctuated by rhythmic elements triggered by imagined exchanges of gaze. Circle on circle on circle on circle, where murmurs and percussive gestures respond to barely perceptible sounds, evokes a spatial situation in which listening replaces any visual reference. In both works, rhythm does not present itself as a fixed structure, but as something contingent, dependent, and reversible. Only 100 copies available for international distribution, with white-on-black printed artwork on the sleeve plus insert with score and liner notes.\u003c\/p\u003e","brand":"planam","offers":[{"title":"Default Title","offer_id":46731591745730,"sku":"planub002","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/lucianomaggioremimosapudica.jpg?v=1771013541"},{"product_id":"merzbow-animal-magnetism-2lp","title":"merzbow-animal magnetism 2lp","description":"\u003cp\u003eFor over four decades, Masami Akita, the man behind Merzbow, has remained one of the most singular and uncompromising figures in experimental music. Known as a pioneer of Japanese noise and a tireless sonic innovator, Akita has consistently pushed boundaries, exploring sound not as a vehicle for melody or harmony, but as a raw material to be shaped, sculpted, and sometimes obliterated. Originally released on CD in 2003, Animal Magnetism is now receiving a long-overdue vinyl reissue -- a deluxe edition that not only revives the album but enhances it. This new edition has been meticulously remastered by Lasse Marhaug, a respected figure in noise and experimental music who brings new clarity, weight, and depth to the recordings. Spread across two vinyl LPs and housed in a gatefold sleeve, the reissue replicates the original artwork, including Masami Akita's own photographs, while also adding a previously unreleased bonus track, \"Quiet Comfort #2.\" Animal Magnetism occupies a unique position in Merzbow's vast catalogue. It is a work that remains firmly rooted in the artist's signature approach -- dense layers of distortion, feedback, and electronic debris -- but it also stands out for its sense of structure, variation, and surprising accessibility. It's an album that, while intense, is not impenetrable. It invites the listener to explore its textures and uncover subtle melodic patterns and rhythmic shifts beneath the surface noise. What makes Animal Magnetism distinctive is its balance between harsh noise and a more refined, composed sensibility. Where many Merzbow albums plunge into total abstraction, this one maintains a sense of movement and progression. The newly added bonus track, \"Quiet Comfort #2,\" fits seamlessly into the album's sound world. It serves as both a continuation and a reflection, extending the album's themes while offering something fresh. Animal Magnetism is not just for seasoned noise fans, but also for adventurous listeners looking for a unique and challenging experience that rewards attention and repeated listening. Pressed on 100% black virgin vinyl to ensure optimum audio quality, housed in a gatefold sleeve featuring Akita's original photographs, limited to 299 copies. This edition is a must-have for collectors and newcomers alike: an essential document of an artist who continues to redefine the outer edges of sound. Absolutely essential.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k71c4zUAIqI?si=BOkPDhH3iyMl9TZS\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"urashima","offers":[{"title":"Default Title","offer_id":46731593547970,"sku":"uma189","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/merzbowanimalmagnetism.jpg?v=1771013766"},{"product_id":"merzbow-collection-10lp","title":"merzbow-collection 10lp","description":"\u003cp\u003eCarrying on their longstanding dedication to the seminal output of Merzbow, Urashima returns with what is unquestionably their most ambitious release to date: Collection 001-010, a deluxe, 10 LP vinyl box set limited to 299 copies, gathering together the entirety of the project's first ten releases, originally released in 1981. Encountering the band in its early incarnation of the duo of Masami Akita and Kiyoshi Mizutani, raw, exposed and bristling with energy, foreshadowing numerous trajectories they would follow over the coming years, these astounding full lengths -- the majority of which have never been released on vinyl -- come housed in a beautifully produced, deluxe wooden box, with each LP in its own individual sleeve reproducing the original artwork, and an LP-sized 32-page book containing reproductions of artworks and collages by Masami Akita, an interview conducted by Jim O'Rourke, and liner notes penned by Lasse Marhaug, Thurston Moore, and Akita himself, amounting to what is unquestionably one of the most historically significant releases of 2025. Representing what is effectively ground zero in Japanese noise and collectively amounting to some of the most sought after releases ever produced within that movement, Urashima's truly beautiful collection comes fully remastered by Masami Akita himself. Towering with energy and groundbreaking creative vision, within the realms of noise and experimental music, releases don't get more monumental or historically important than this! When dealing with historical gestures, there's an invertible aura surrounding original line-ups and early statements, and rightfully so. It is often within a band's debut that we catch the purest glimpse of the raw energy and creative ferment that made them what they are. This is certainly the case when regarding the coveted early releases of Merzbow, capturing the emergence of the project in its form as the duo of Masami Akita and Kiyoshi Mizutani as they helped set the blue print from the then emerging movement of Japanese noise. Over the course of its nearly five decades of activity, Merzbow has always been noted for how prolific and ambitious the project is. This was no less the case in the very beginning. There is a slow pacing and raw sense of openness and exposure that reveals strong connections to the avant-garde improvisations of groups like AMM, Musica Elettronica Viva, and Gruppo di Improvvisazione Nuova Consonanza, the psychedelia of groups like Taj Mahal Travellers and Flower Traveling Band, and rock in general -- albeit in fully abstracted forms -- unspooling as brittle, pointillistic, textural, raw and abrasive forms, that occasionally flirts with unexpected tonal sensibilities. Collection 001-010 collectively amounts to an engrossing sonic journey in its own right.\u003c\/p\u003e","brand":"urashima","offers":[{"title":"Default Title","offer_id":46731599675586,"sku":"umax","price":350.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/merzbowcollection.jpg?v=1771014404"},{"product_id":"patrick-lysaght-for-the-birds-lp","title":"patrick lysaght-for the birds lp","description":"\u003cp\u003e1984. Inside the Rainforest Birdhouse at the Rio Grande Zoo, Patrick Lysaght played flute, strings, and percussion among 150 birds of 42 species. Not recording them. Playing with them. For 18 months the scientist (and artist) has been playing music (flute, strings and percussion) in the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque. This interactive environment, populated by 150 birds representing 42 species, has provided more than an interesting background for music; rather, the birds have contributed to the resulting compositions on an equal level with the musician. Complex clouds of point notes build to a rich density, as mutual interspecies stimulation assumes a path based on the excitement of chance and the probability of experience. The material on this record has been selected with emphasis on bird responsiveness and instrument variety within the aesthetic parameters of blending with and enhancing this unique sonic atmosphere. Mastered from the original tapes by Giuseppe Ielasi. Edition of 250 copies, embossed cover. \u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xtxCyUFTZQY?si=VgYDxLnfrfntFKZA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"holidays","offers":[{"title":"Default Title","offer_id":46731680415938,"sku":"hol146","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/patricklysaghtforthebirds.jpg?v=1771017925"},{"product_id":"nicola-ratti-alessandra-novaga-enrico-malatesta-what-we-do-when-in-silence-lp","title":"nicola ratti \/ alessandra novaga \/ enrico malatesta-what we do when in silence lp","description":"\u003cp\u003eImagine a series of small movements in an empty space. Imagine their shadows on the floor, there's a natural light sliding in from the three windows on your right side. There's no silence here. There are people outside waiting for others, waiting for the people since what we do is not visible, since we do it when in silence and there is no silence here. Nicola Ratti: synthesizer, piano, whistling; Alessandra Novaga: electric guitar; Enrico Malatesta: percussions. Recorded, mixed and mastered by Giuseppe Ielasi, Monza, 26-27 February 2022. Special thanks to Centro d'Arte di Padova. Edition of 300 copies, embossed cover. \u003c\/p\u003e","brand":"holidays","offers":[{"title":"Default Title","offer_id":46777429983426,"sku":"hol143","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/nicolarattiwhatwedowheninsilence.jpg?v=1771165411"},{"product_id":"elektriktus-electronic-mind-waves-lp","title":"elektriktus-electronic mind waves lp","description":"\u003cp\u003eIn the summer of 1976, a peculiar album appeared in Italian record shops, its cover bearing no artist name, only the cryptic moniker Elektriktus. For the handful of listeners who encountered it before it vanished from circulation, the music posed a question that wouldn't be answered for decades: who had created this strange hybrid of jazz sensibility and kosmische synthesis, this music that seemed to emanate from somewhere between Cologne and Calabria? The answer was hiding in plain sight. Andrea Centazzo, by then a recognized figure in European free improvisation -- a percussionist who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey -- had been leading a double life. Between 1973 and 1976, in the intervals between touring with Giorgio Gaslini's quartet (Gaslini would soon co-compose Dario Argento's Profondo Rosso with Goblin), Centazzo retreated to his farmhouse in Moruzzo and to studios in Pistoia, where he conducted experiments with Minimoog, Davolisint, and the GEM Rodeo 49, an Italian-manufactured synthesizer that had become essential equipment in the country's progressive rock underground. What emerged from these sessions was music that occupied a peculiar position in the taxonomy of 1970s electronic experimentation. PDU Records -- owned by the pop icon Mina and by the mid-seventies functioning as Italy's primary distributor for German avant-garde labels like Ohr, Brain, Kosmische Musik, Pilz, and Kosmische Kuriere -- recognized the value of what Centazzo had created. But there was a commercial calculus at work: the label's executives worried that Centazzo's established identity as a jazz percussionist would confuse the market for cosmic electronics, then in the process of consolidating as a genre distinct from both progressive rock and academic electronic music. The solution was to create Elektriktus -- a pseudonym that functioned as a conceptual portmanteau, fusing \"electronic\" with \"Ictus,\" the name Centazzo would soon give to his own label and to his series of percussion works. The name suggested both electronic impulse and percussive attack, a synthesis that accurately described the music's character. For where German kosmische musik tended toward the infinite and the abstract, Centazzo's electronic music retained a tactile, almost physical quality.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=vM3KFW4yeV-HdvtA\u0026amp;list=OLAK5uy_mGkPfhvGHqvvAKU00uIWrDjD-_BV8lXpE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ictus","offers":[{"title":"Default Title","offer_id":46777437618370,"sku":"ictusre012","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/elektriktuselectronicmindwaves.jpg?v=1771165697"},{"product_id":"elektriktus-electronic-mind-waves-volume-2-lp","title":"elektriktus-electronic mind waves volume 2 lp","description":"\u003cp\u003eIn 2019, Andrea Centazzo discovered unlabeled tape reels in his mother's attic in Udine -- boxes assumed lost seven years earlier. What emerged from these deteriorating reels, transferred by engineer Sergio Tomasini during COVID lockdowns, was unexpected: unreleased recordings from the original Elektriktus sessions of 1973-76, alongside other archival materials including previously unknown collaborations with Steve Lacy and Evan Parker from the same period. Centazzo's solution was conceptually elegant: add contemporary digital electronics to the original analog Elektriktus recordings, creating temporal palimpsest in which the seventy-something composer engages in dialogue with his younger self. Crucially, his fundamental approach hasn't changed. \"Making a 10-minute loop meant playing and overdubbing for 10 minutes!\" This rejection of computer automation, this insistence on the hand-played and physically executed, links 2025 to 1975 through continuous methodology. Electronic Mind Waves Volume 2 operates in complex registers: contemporary electronics don't \"update\" the original recordings but exist in conversation with them. By overlaying 2025 digital work onto 1975 analog recordings, Centazzo creates proof that affinities between cosmic drift and percussive grounding were present in the original conception, waiting to be heard. This temporal doubling produces music that is neither nostalgic recreation nor radical revision but something more complex -- a conversation between past and present, between the composer who created these sounds in the mid-1970s and the artist who now understands their full implications.\u003c\/p\u003e","brand":"ictus","offers":[{"title":"Default Title","offer_id":46777446334658,"sku":"ictusre013","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/elektriktuselectronicmindwaves2.jpg?v=1771166262"},{"product_id":"midori-hirano-otonoma-lp","title":"midori hirano-otonoma lp","description":"\u003cp\u003epink vinyl edition. The artistry of Midori Hirano lives in the resonance between sonic and visual worlds. Over her distinguished career the Berlin-based, Kyoto born composer, pianist, and synthesist has crafted a distinctive voice straddling the spheres of classical music and harmonies with abstraction and invention. In addition to works under her own name, Hirano has released dynamic experiments under her MimiCof moniker as well as composed for film, television, art exhibitions and architectural expos. Hirano has also been a prolific collaborator, working with CoH, Brueder Selke, Nils Mosh, Teodor Wolgers, Ben Lukas Boysen and Paul Emmerich, SPECIMENS, Mami Sakurai, Atsuko Hatano, and more, contributing to dozens of releases. Hirano is acclaimed for crafting emotive works that stimulate all the senses with impressionism, or painting with sound. OTONOMA is the culmination of her work synthesizing these elements and highlights her acumen as a practiced and intuitive artist. The album infuses Hirano's more classical sense of harmony on the piano with the endless textural possibilities of synthesizers. Like nebulas coalescing into galaxies, the pieces of OTONOMA emanate hues dense with subtle layers of color folded into gradients, arresting and radiant. In Japanese the word 'Oto' means 'sound' and 'Ma' refers to the 'space' or 'interval' between things. So, 'Otonoma' literally means 'the space between sounds.' In classical usage, 'Ma' can also mean 'room' which allows a different reading, 'a room of sounds.' 'Illuminance,' a foundational track on the album, has rich textures and a searching modular synth. 'Ame, Hikari' was initially composed for a photo exhibition of Japanese artist Rinko Kawauchi's work at Fotografiska Berlin and captures the rain (ame) and light (hikari) of Kawauchi's photos. The stately lone piano of 'Rainwalk' offers a minimalist, affecting snapshot of a moment in time while pieces like 'Aurora' take a more wide-eyed, macrocosmic view with fluttering electronics and a surging drone. Throughout OTONOMA, Hirano's compositions seep over their sonic borders and through the complex intersection of rhythm and tone are an affecting listen. The intersection between sound and space embodies the architecture of this beautiful impressionistic album. In the deft hands of its architect, Midori Hirano, the music is remarkable for its reflective and connective beauty, a sensational sensorial experience.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w7hrUoDjUb0?si=XqSka2gHekhFCw2o\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"thrill jockey","offers":[{"title":"Default Title","offer_id":46777447710914,"sku":"thrill643","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/midorihiranootonoma.jpg?v=1771166850"},{"product_id":"david-shea-meditations-cd","title":"david shea-meditations cd","description":"\u003cp\u003eA note from David Shea: \"Meditations is a set of eight works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant thoughts that pass through. The texts throughout the pieces are fragments of the Buddhist Heart Sutra, the shortest and created from a mixture of traditions and sources, produced long after Buddha's death and meant to be chanted or sung as a ritual and personal meditation. The experience of meditation, so often covered in mythology and one dimensionally peaceful symbols, is in fact a complex set of traditions in all cultures and has roots in indigenous cultures world wide and involves the limitations of thought as well as the quietness of the mind as a source of understanding and health. The Buddhist teachings that are in focus in this album are in a sense a sequel to the record Rituals of 2015 in that they are adapted as Meditations that cross and combine traditions with any attempt consciously to synthesize them into a new whole. A conversation between traders, in the form here of musicians , languages, sound sources and the peace and struggle of maintaining a real meditational practice and living in the chaos and violence of society as well as accepting the world as it is, with all of the internal conflicts and release and rise of tension. The musicians on these pieces also are recorded live in a group setting listening to each other with a shared space and character I create and through this listening the connections that form the final piece are made. The Heart Sutra which I read in the last piece of the eight is a translation which has been collaged by many schools and cultures that adapted the teachings to their indigenous religions. The bonus track is a live mix (called a Metta Mix) of a performance and collage of all this material and other new pieces, performed in a virtual avatar world called 'Second Life' for a live audience who listens and attends in their own avatars. All pieces on this set of recordings are a version of this in some ways, with the mix being something both from me and for those that listen. 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By the tattoo of the insects' beating wings and the soughing of the wattle in the sea breeze. By the dull roll of the surf and the rhythm of my breath against the pad of my feet as I walk along the sandy, leaf-littered path through the scrub to the beach. The fingers of the fire-blackened dead banksias clawing the vicious blue. Somewhere, a peal of laughter is torn from its source and flies for a moment on the thermals rising from the baking sand. It is the summer of 2024\/25 in Australia as the ideas for this album coalesce from a dozen different threads. I'm camping with my family on Krowathunkooloong land in the south-east corner of the country. The place where I grew up. The same beach where I spent every summer through my childhood. We swim every day in the ocean and in the late afternoons in the calm of the Yeerung River. The water, stained red brown by Melaleuca, turns my hand into a bloody ghost as I watch it sink. This place asks questions of me about belonging, about the relationship of the body to the wind. Of memory, of history, and of forgetting. Sound braces us in the now but simultaneously connects us to the past - a porous membrane between inner and outer worlds. I am walking up the hill behind the Yeerung with my trumpet in my backpack. Stopping to play momentarily. Trying to find a space in which I can resonate the sounds I make with those around me. The river is full from earlier rain and is threatening to break through the thin sandbank that separates its deep red pool from the gunmetal blue ocean. The heat gathers and the pulsing of the crickets intensifies.\" --Peter Knight\u003cbr\u003e\u003cbr\u003ePeter Knight is a composer, trumpeter, and curator whose practice thrives in the spaces between genres, categories, and cultures. His recent solo work extends the possibilities of his instrument with innovative approaches that interweave acoustic preparations, extended techniques with electroacoustic processing via laptop, vintage delays, and tape machines. Peter is interested in the use of repetition, rhythmic overlapping, slow harmonic evolution, and subtle timbral evolutions to shift our perceptions of linear time.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R6cTWbhjud0?si=-jR0mLlHD9WDPiD2\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"room40","offers":[{"title":"Default Title","offer_id":46791203684546,"sku":"rm4263","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/peterknightforamomenttheskyknewmyname.jpg?v=1771363655"},{"product_id":"daniel-carter-n-um-sphera-lp","title":"daniel carter \u0026 n\/um-sphēra lp","description":"\u003cp\u003e\u003cspan style=\"font-size: 11pt; font-family: 'Google Sans Text'; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eFusing decades of underground New York jazz with contemporary electronics, Daniel Carter and N\/UM’s Sphēra takes listeners on a spontaneous and daring journey through generations of improvised music. Across a bed of electronics, Carter’s sensitive soloing on reeds and trumpet unfolds across seven sections, alternately melding with the synthesized textures or forming an organic contrast to the abstract sounds surrounding him. More ambient segments alternate with groove-heavy sections like ‘Curvature’, ‘Rotation’ or especially ‘Fraction’, where the sung mantra “a prisoner of consciousness, prisoners of consciousness” alludes to darker, buried themes. A telepathic meeting between the mellowed out, octogenarian free jazz legend and an experienced trio at the peak of their powers, Sphēra coalesces into a whole far exceeding the sum of its parts. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=cY4leQ9OR4R9mDJK\u0026amp;list=OLAK5uy_m7PDrDnSG7bLsQfRRpCvMCJQuMFXSYCGM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"respekt music","offers":[{"title":"Default Title","offer_id":46800826859714,"sku":"respektmusic001","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/danielcarternumsphera.jpg?v=1771443576"},{"product_id":"dj-roach-isaac-prieto-source-of-truth-ep","title":"dj roach \/ isaac prieto-source of truth ep","description":"\u003cp\u003e\u003cspan class=\"MuiTypography-root MuiTypography-bodySmall css-1vjnjdl\"\u003eSource of Truth is a collaboration between Detroit Vinyl Room and Nuestro Futuro Records. 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Soma proudly presents Functional Designs, the latest collection of nocturnal environments from Deepchord, marking his first full length album release on Soma in 5 years. The enigmatic Detroit based producer once again transports us into his sonic realm via night-walks through numerous cities before being transmuted into aural excellence through field recordings, holographic synth tones, cosmic sounds and the hiss of electric wires. All swimming around in filtered 4\/4 beats and subterranean basslines. The album is a perfect example of electroacoustic techno transmitted from undisclosed locations, the amalgamation of swirling tapestries of sound, deeper than night and lifeforms moving around underneath the grid. The album glistens into existence with the beatless Amber breathing life into the project before the eventide of Darkness Falls offers a beautifully subtle and contemplative atmosphere. The guiding light of Transit Systems continues to offer up melancholy with echoing percussion and drifting soundscapes. The highly processed acoustics of Strangers brings a sense of intrigue to the album's journey as Modell works in the most percussive track so far. Panacast is exotic dub techno at it's finest, with warping and perfectly crafted synth work building gently over the top of sub heavy beats, glued perfectly together by the hiss of the collected found-sounds. In a slight rise in tempo, Cloudsat, makes a journey skyward, collecting mood and feelings from high altitude with its emotive synth work. The reverberating halls of Pressure again work as a testament to Modell's sonic crafting - honing in on specific artefacts from his field recordings, imbuing them with deeper purpose. The perfectly titled Ebb and Flow drifts effortlessly on a tide of evolving, blissful sound waves crashing to shore as each one overlaps the other. Beginning the descent into the final part of the album, you begin your ride across a cosmic plain, lit by the glistening and ethereal Sun. The meditative Memories opens a conduit to other realms as the album closes out with the elysian melodies of Drassanes. Deepchord once again proves he is a producer like no other. A true sonic sculptor who uses his real world experience to create vast, unparalleled soundscapes that captivate and enthral the listener.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fUmCebRtPDM?si=lK_vriNjnpqcYgQy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"soma","offers":[{"title":"Default Title","offer_id":46814184014018,"sku":"somalp125","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/deepchordfunctionaldesigns.jpg?v=1771529759"},{"product_id":"deepchord-atmospherica-vol-1-ep","title":"deepchord-atmospherica vol. 1 ep","description":"\u003cp\u003eltd repress. The ever enigmatic Deepchord make a post welcome return to Soma with this, the first single to be taken from this latest full length, Ultraviolet Music. Three beautiful slices have been cut from the album to form this truly outstanding single and shows Deepchord return to a straight up mix of heady, cerebral dub techno infused with more solid rhythms.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/B6gNpX5VAKo?si=K7zWMsoH_dM3iGO5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"soma","offers":[{"title":"Default Title","offer_id":46814194729154,"sku":"soma446","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/deepchordatmospherica1.jpg?v=1771530207"},{"product_id":"deepchord-campfire-ep","title":"deepchord-campfire ep","description":"\u003cp\u003eltd repress. The incomparable Deepchord is back on Soma and drops the first single from forthcoming album, Auratones due in October. As is expected from the Detroit based sound designer, the Campfire EP is everything we have come to know and admire about his productions; from the spaced out, ambient sound fields to classic Dub Techno. Perfumes Of A Spring Mist delicately opens this latest EP with entrancing, processed soundscapes, beautifully haunting melody and simple rhythmic elements than seem to evolve naturally allowing you to get lost in the sea of vibrations. Xpan leans on the more classic Dub Techno sound from Deepchord of years passed. Sub heavy beats and jagged yet tranquil synths sweep across the palette as Deepchord plays with constantly fluctuating chords, bringing the quintessential 90s Deep Techno into his more modern, processed sound. Title track Campfire brings ambience to the forefront to close out the EP. Melancholic synth elements drift across an expanse of refined and uniquely crafted field recordings, offering an insight into the areas from which Deepchord draws his inspiration. 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Following the acclaimed Winter Sequences (LAXBLACK 01) and Rebotini’s Musical Component, SKYLAX BLACK 3 pushes further into cinematic rave, electro, and techno territory. On the A-side, Artificial Darwinism ignites the EP with raw intensity — fusing early 2000s Blackstrobe energy, UR aggression, and cold wave tension into a hypnotic, funk-laced ritual. They Are Coming follows with darker, driving techno — mechanical yet alive, pulsing with paranoia and urgency. Flip to the B-side for Space Time 303, a dreamy ambient-acid trip evoking early R\u0026amp;S and IDM — ethereal, timeless, and drifting through time. Closing the EP, A Comet in the Northern Sky delivers melancholic electro in the spirit of Dopplereffekt and Drexciya, elevated by Rebotini’s analog mastery. A visionary statement — intelligent, bold, and essential. 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Moeller's dub-informed, high-grade production hit a hot streak as he started to experiment with faster tempos and more broken rhythms, reaching into thrilling new sound fields where fast-slow rhythmic intrigue meets with spatial subtlety and constantly evolving synth voices. The past year has seen him release a swathe of albums, from Further on Samurai to outings on Constellation Tatsu, ESP Institute and Quiet Details that all burst with inspiration, each distinct from the last and offering an original perspective on this rich seam of crossover electronics. Shadow Language shows Moeller burrowing even deeper into this new era of his work, continuing the hypnotic approach set out on Further while edging more forthright ingredients into the mix. From the outset 'Division By Zero' hits with immediacy even as it dips into a dubwise breakdown, with snatches of vocal and even the iconic loom bird making the slightest of appearances. 'Feral Hymn' finds a curious kind of uplift in the synth chord that twists in and out of the mental techno murmurations of the rhythm section. 'Impermanence' has some snarling bass that belongs in the gnarliest tech-step, while the nagging hats ticking through 'Junkyard Syntax' hint at a shockout without resorting to brute force. The majestic dub techno chords of 'Driftform' create a through-line across Moeller's extensive catalogue, but here they dominate the mix above a spongy bed of sub bass throb and framed by the tiniest slithers of percussion. Throughout the album, it's the implications Moeller suggests with the tools at his disposal that create a powerful energy. Restraint governs the delivery, guiding the listener in deeper until they find a maximal experience from each elegantly understated roller. The weight and presence is abundant across every track, fuelled by the invigorating power of each tone and frequency while avoiding the clutter of overloaded arrangements. Finding the notes in between and half-hidden rhythms, Moeller himself perfectly summed up his latest opus as he continues to develop his own compelling Shadow Language.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=3mo75Wc5AwPSWGiC\u0026amp;list=OLAK5uy_n98PE-1rJS1_7HumXTr5LL249Krzf3vLo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"samurai music","offers":[{"title":"Default Title","offer_id":46814267277506,"sku":"smdelp18","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/brendonmoellershadowlanguage.jpg?v=1771531769"},{"product_id":"amadou-balake-in-conclusion-ben-gomori-edits-12","title":"amadou balaké-in conclusion (ben gomori edits) 12","description":"\u003cp\u003eltd repress. Sterns Edits returns after the sell-out success of its debut edition with another two catalogue reworks from Ben Gomori. This time he turns his attention to Burkina Faso's much-loved taxi-driver-turned-singer, Amadou Balake. Balake ('porcupine' in Mandinka) is Burkina Faso's proudest musical export, and in 2013 he recorded his final album before passing away: 'In Conclusion'. The record saw him revisit some of his most popular tracks from his remarkable 50-year career, backed by an eight-piece Burkinabe band who took the country's traditional sounds and brought them into a contemporary light. Gomori retains the essence of the original recordings - which were mostly captured in one take - and marries them to vigorous afro-house stylings. 'Bar Konon Mousso (Musicien C'est Pas Quelqu'un)', in which Balake tells of a bar lady being unimpressed by his profession, gets a gentle push towards the modern dancefloor, its wonderful sax lines resplendent. 'Massa Kamba' is taken for a drive down the more traditional route, with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. Balake's freewheeling style suits the hypnotic feel of the edits to a tee.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LBlGvDP5eY4?si=mPXB-RQ3ijyjaOyN\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"sterns edits","offers":[{"title":"Default Title","offer_id":46814269210818,"sku":"stedit002","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/amadoubalakesternseditsvol2.jpg?v=1771532151"},{"product_id":"nanjo-asahito-m-lp","title":"nanjo asahito-m lp","description":"\u003cp\u003eA collection of intimate songs traced from the spectral darkness by Nanjo Asahito, the notorious leader of some of Japan's key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990s. Remastered and available for the first time on vinyl and digital. From the original La Musica cassette notes: \"A compilation of secret projects recorded over a period of twenty years. Deeply personal music that achieves a strange balance between beat folk balladry and off-key mumbling. Suggestive self-celebratory music conceived as a confirmation of existence.\" A lesser-known side of Nanjo Asahito -- if all you know of his work is the overloaded, intensified psych-rock and free-sound of his group projects then the solo songs on M gently redraw the contours of Nanjo's private universe. There's something gem-like in the way these five songs are formed, even as they accrue grit and dirt while drifting out of the speakers. Here, Nanjo grabs handfuls of gentle chord changes, allows them to rotate in the air, suspended in reverb, flickering in half-light, as he murmurs drowsy melodies. The closing \"Eucharist\" pushes everything through a thin layer of distortion; elsewhere, tinkling piano, from guest Matsuoka Takashi, who also performed with Keiji Haino's Nijiumu, disturbs dust molecules to dance through hazy air. LP is housed in die-cut \"Uni-Pak\" style gatefold with metallic gold ink and soft touch finishes with printed inner sleeve. Vinyl pressed at RTI.\u003c\/p\u003e","brand":"black editions","offers":[{"title":"Default Title","offer_id":46814399627458,"sku":"bela005-045","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/nanjoasahitom.jpg?v=1771534057"},{"product_id":"bim-sherman-ghetto-dub-lp","title":"bim sherman-ghetto dub lp","description":"\u003cp\u003eThe long-overdue revival of Bim Sherman's catalog begins here. These essential recordings are widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica's most distinctive voices and representing a major moment for reggae and dub aficionados around the world. This reissue series not only preserves his legacy but also offers listeners the chance to experience the depth and timeless resonance of Sherman's work in its full glory. Bim Sherman -- born Jarret Lloyd Vincent, in Westmoreland, Jamaica -- holds a unique place in reggae history. Emerging in the mid-'70s, his ethereal, haunting vocal style quickly set him apart from his contemporaries. He was soon collaborating with the top producers and musicians of the era, including Adrian Sherwood and the On-U Sound collective, bridging the gap between roots reggae and experimental dub and laying the groundwork for the fusion of Jamaican sounds with the vibrant underground scene in the UK. His career, from Kingston to London to Mumbai, was marked by an artistic daring and spiritual intensity that has earned him enduring respect across generations. The centerpiece of this reissue campaign is Ghetto Dub from 1988, a record that distills Sherman's artistry into its most potent form. Originally released in a limited number, the album embodies the stark yet soulful beauty of dub production. With its reverb-drenched drums, cavernous basslines, and echo-laden atmospherics, Ghetto Dub transforms Sherman's various tracks into spectral presences that drift in and out of the mix. The arrangement and production -- minimal yet profoundly textured -- captures both the raw urgency of Jamaican street culture and the forward-looking experimentation of the UK dub scene. Each track unfolds like a meditation, balancing grit with grace, density with space. 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David Burraston is an award winning artist\/scientist working in the areas of technology and electronic music, operating Noyzelab as an independent art\/science music studio since 1981. Numerous research publications include a 2006 PhD thesis Generative Music \u0026amp; Cellular Automata, which developed and applied fundamental new concepts from generative music practice to a key problem in complex systems theory. His experimental arts practice encompasses field recording, landscapescale sound art, chaos\/complexity, practice-based research, sound synthesis and electronic music. He performs, lectures, conducts workshops and creates art installations in Regional NSW and around the world. David also designs and builds sound synthesizers based on his theories of chaos\/complexity science. David has worked with many diverse collaborators such as Aphex Twin, Chris Watson, Doug Quin, Russell Haswell, Robin Fox, Oren Ambarchi, Sarah Last, Cat Hope, Garry Bradbury, William Barton, Alan Lamb, MIT Media Lab and the Australian Broadcasting Corporation. In 2014 he independently published the legendary \"SYROBONKERS!,\" the most technical and in-depth interview ever given by Aphex Twin.\u003c\/p\u003e","brand":"cassauna","offers":[{"title":"Default Title","offer_id":46814407295170,"sku":"sauna077","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/nyzprn2m15t.jpg?v=1771534680"},{"product_id":"various-bondage-games-part-7-3lp","title":"various-bondage games part 7 3lp","description":"\u003cp\u003e180g vinyl. Printed gatefold sleeve. Red color vinyl. This Bondage Music compilation features music from artists like Nima Gorji, James Dexter, NTFO, Politics Of Dancing, Steve Bug, Markus Homm, Mihai Popoviciu, Dilby \u0026amp; Pornbugs, Dejbali, Dust Yard, Alex Ranerro, and Sascha Dive.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=H8ww3ZGr6FPnp2Ij\u0026amp;list=PLO6Wlezxu56gHcMl9qDqCwSYFIVPNmahg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"bondage music","offers":[{"title":"Default Title","offer_id":46814414274754,"sku":"bond12060","price":53.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/bondagegamespart7.jpg?v=1771535175"},{"product_id":"axel-boman-trensum-tribe-luz-quest-for-fire-in-dub-lp","title":"axel boman \/ trensum tribe-luz \/ quest for fire in dub! lp","description":"\u003cp\u003eAxel Boman's critically acclaimed double album LUZ\/Quest For Fire from 2022 gets a remix and dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe. Having been heavily inspired by Mad Professor's work for Massive Attack since a young age, a project like this had been a dream of Axel Boman's for decades. There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=6dwoq2IOf0xOyUPV\u0026amp;list=PLIuvy_x-bDtRXyeN5AMMqIEMeF6QhaTkB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"studio barnhus","offers":[{"title":"Default Title","offer_id":46814549409986,"sku":"barn099","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/axelbomanluzquestforfireindub.jpg?v=1771535797"},{"product_id":"hyunhye-seo-continuation-lp","title":"hyunhye seo-continuation lp","description":"\u003cp\u003eA cascading piano improvisation by Xiu Xiu's Hyunhye Seo, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer Phew reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment. 200 copies. Comes with Obi. Hyunhye Seo, a core member of Xiu Xiu, in her solo work navigates the precarious edges where composition dissolves into pure gesture. Through ecstatic piano improvisations, restless percussive attacks and an expansive use of acoustic space, she constructs layered sonic environments that move across the boundaries of noise, avant-garde jazz, ambient and contemporary classical music. Her performances reveal an unfiltered process of listening and creation -- a practice in which thinking becomes the enemy, and surrender the only viable strategy. \"Continuation\" captures one such surrender. Recorded live at MAO -- Museo d'Arte Orientale in Turin during the exhibition Rabbit Inhabits the Moon -- The Art of Nam June Paik in the Mirror of Time, this cascading piano improvisation unfolds as a dialogue between performer, space and the particular acoustics of a museum built to house contemplative objects. Jamie Stewart processes the sound in real time; Giuseppe Ielasi shapes the final mix. What emerges is a work of charged immediacy -- restless gestures giving way to passages of unexpected tenderness, noise and silence trading places in continuous exchange. The title is precise: this is music that refuses conclusion, that exists in a state of perpetual becoming. On Side B, \"Continuous Extension\" offers an unprecedented response. Phew -- the pioneering figure of Japanese avant-garde music since the late 1970s -- was invited by curators Chiara Lee and Freddie Murphy to reinterpret Seo's performance. Working with synthesizer and subtle processing, Phew distills the resonances of \"Continuation\" into a new electronic landscape -- waves of abstraction that echo like reflections in sound, tracing the harmonic tensions of Seo's playing into territories she herself did not visit. The accompanying booklet includes an essay by Bruno Lo Turco exploring the deep connections between improvisation and Buddhist thought, and a written reflection by Seo on her own practice of surrender and listening.\u003c\/p\u003e","brand":"ubi ku","offers":[{"title":"Default Title","offer_id":46814575755458,"sku":"ubk002","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/hyunhyeseocontinuation.jpg?v=1771537417"},{"product_id":"lino-capra-vaccina-antico-adagio-complete-1978-sessions-3lp","title":"lino capra vaccina-antico adagio: complete 1978 sessions 3lp","description":"\u003cp\u003eFor the first time, all the 1978 recording sessions of Lino Capra Vaccina's legendary Antico Adagio -- including \"Frammenti da Antico Adagio\" and \"Echi Armonici da Antico Adagio\" -- collected in one definitive deluxe edition. Minimalism, and so much more. Sheets of resonance, stunning harmonic interplay, intricate rhythms rising as one. Sidelong works of pulsing, hypnotic, ritualistic drone built from vibraphones, marimbas, gongs, bells, and cymbals, threaded by the sustained vocal tones of Juri Camisasca and Dana Matus. A trance-inducing, meditative, cosmic world of sonic interplay -- the world beyond, joined with that which lays within. This music moves between modal fascinations, ritual evocations, and states of hypnotic trance, evoking the acoustic environment of Tibetan and Zen Buddhist ceremonies and the temporal structures of Noh theatre, from which Vaccina took the name of his original label, Nō. Now, fittingly, this complete collection appears on Ubi Kū, the label of the Italian Buddhist Union. Lino Vaccina (1953) first gained note as a member of Aktuala, creating a hybrid of rock, avant-garde, and ancient music while incorporating sonic traditions from across the globe. After leaving in 1974, he studied at Milano's Civica Scuola di Musica, collaborating with Franco Battiato and Juri Camisasca, and forming Telaio Magnetico in 1975. In 1978 he self-released Antico Adagio in a tiny edition and wouldn't be heard from again until 1992. From 1979 to 1985 he was percussionist with the Orchestra of Teatro alla Scala under maestros such as Abbado and Ozawa. His career has been marked by an incredibly high bar of quality and a tragically slim recorded output. \"Frammenti da Antico Adagio\" and \"Echi Armonici da Antico Adagio\" contain material from the original sessions, restored and issued by Die Schachtel in 2014 and 2017. The new masters, prepared by Giuseppe Ielasi, are based on those restorations and the original material. The package includes previously unpublished photographs from the May 1978 sessions and liner notes by Mauro Radice in Italian, English, and French. Limited edition of 250 numbered copies. Deluxe 3LP box, bound in linen and embossed, featuring a large 12-page booklet with previously unseen photographs from the 1978 recording sessions, and a large four-page booklet with the original liner notes. 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A blurring of three vastly different heads into a single disjointed, but fluid organism, How So? finds Yuta Matsumura (The Lewers, Keanu Nelson), Amelia Besseny (Troth, Impatiens) and Cooper Bowman (Troth, CD3) working with vocals, melodica, deeply pulled samples, guitar, drum machine, synths and resourceful percussion. An Elixa-blueprint of sideways ambient rituals, fog-thick melodica dub and paranoid trip hop by way of Sydney's pioneering industrial collagists, the LP recirculates beyond its original 150-copy confines for those who missed its first apparition.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=QRUqgr1QhyZy45Jt\u0026amp;list=OLAK5uy_lyIbRB5FI52Sy9YQ5cyZo5j7ge8-rKIOA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"efficient space","offers":[{"title":"Default Title","offer_id":46814586929346,"sku":"es052","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/8351\/3794\/files\/bliskshowso.jpg?v=1771538084"},{"product_id":"snad-dispo-ep","title":"snad-dispo ep","description":"\u003cp\u003eSnad returns to Smallville with a bang. After \"getting mesmerized\" on his own Spandrel imprint, Shyam is back with three exceptional deep rollers, that will keep the floors moving worldwide. 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Copenhagen's Mikkel Metal is a pioneering figure in dub-techno and minimal house, known for his atmospheric soundscapes and textured production. Mikkel Metal has cemented his place as one of Denmark's most distinctive electronic artists. 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